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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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What is an axial hernia?
An axial hernia is a type of hernia that occurs in the abdominal wall, specifically in the area of the linea alba. It is characterized by a protrusion of abdominal contents through a weakness or defect in the abdominal muscles. Axial hernias can be painful and may require surgical intervention to repair the hernia and prevent complications such as bowel obstruction.
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What is an axial piston pump?
An axial piston pump is a type of hydraulic pump that uses a series of pistons arranged in a circular pattern around a central drive shaft. As the drive shaft rotates, the pistons move in and out of their respective cylinders, creating a pumping action that draws in fluid and then pressurizes it for delivery to the system. This design allows for high efficiency and high pressure capabilities, making axial piston pumps suitable for a wide range of industrial and mobile hydraulic applications.
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What is the difference between concentricity, radial, and axial?
Concentricity refers to the condition where two or more features share a common center point, ensuring that they are all aligned along the same axis. Radial refers to measurements taken from the center point outward in a straight line, measuring the distance from the center to the outer edge. Axial refers to measurements taken along the axis of an object, determining the alignment and position of features in relation to the central axis. Each of these measurements plays a crucial role in ensuring the accuracy and precision of machined parts and components.
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What is the difference between runout, radial, and axial?
Runout refers to the total indicator reading (TIR) of a rotating part, indicating how much it deviates from a true circle. Radial runout specifically measures the deviation of a rotating part from a true circle in the radial direction. Axial runout, on the other hand, measures the deviation of a rotating part from a true circle in the axial direction. In summary, runout is a general term that encompasses both radial and axial runout measurements.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Axial Incidents
As with their first two albums, the band's third record continues to explore themes of communication and communication breakdown. Is communication possible? What is the message? What is sound? What is on the surface of a record? What is beneath the surface of a record? Hastings of Malawi provide the answer to these questions in the form of a 38 minute poem called 'Axial Incidents'.
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Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving.This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations.This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions.The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers.Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.
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Online SEO & Digital Media Marketing Diploma Course
Learn the basics of marketing with the Online SEO and Digital Media Marketing Diploma Course Includes modules on email marketing, SEO and social media (including Facebook and Twitter) Teaches you all you need to excel in the world of online marketing as a professional or beginner Focus on data analytics, SEO keywords, website monetisation and plugin installation Taught through video tutorials, online materials, recommended reading and assessments Includes 35 hours of guided learning hours made up of real-time contact and guidance Get a professional qualification endorsed by TQUK and Ofqual Awarding Organisation Accredited by CPD and awards 40 CPD points upon completion See Full Details for product specifications Save on the Online SEO and Digital Media Marketing Diploma Course - now only 7.99 pounds
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Why is there an axial force component in helical gears?
The axial force component in helical gears is present due to the helix angle of the gear teeth. This angle causes the teeth to be inclined at an angle to the gear axis, resulting in a force component along the axis of rotation. This axial force helps to maintain proper meshing between the gears and counteracts any tendency for the gears to move apart under load. It also helps to distribute the load more evenly across the gear teeth, leading to smoother and more efficient operation.
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What are the similarities between axial symmetry and point symmetry?
Both axial symmetry and point symmetry involve the concept of symmetry in geometric shapes. In axial symmetry, an object is symmetrical if it can be divided into two equal halves by a line of symmetry. Similarly, in point symmetry, an object is symmetrical if it looks the same after being rotated 180 degrees around a central point. Both types of symmetry result in balanced and visually appealing shapes.
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How is the axial force determined in a bending beam?
The axial force in a bending beam is determined by analyzing the internal stresses and deformations within the beam. When a beam is subjected to bending, it experiences both bending moment and shear forces which result in internal stresses. By applying equilibrium equations and compatibility conditions, the axial force can be calculated based on the bending moment, shear force, and the material properties of the beam. This analysis helps in understanding the overall behavior of the beam under bending loads and ensures that the beam is designed to withstand the combined effects of bending and axial forces.
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Why is an axial force component generated in helical gears?
An axial force component is generated in helical gears due to the helix angle of the gear teeth. The helix angle causes the teeth to be inclined at an angle relative to the gear axis, which results in a component of the force being directed along the axis of the gear. This axial force helps to maintain proper meshing between the gears and counteracts any tendency for the gears to move apart due to the tangential force generated during operation.
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