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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Are 8-pin connectors and 62-pin connectors the same?
No, 8-pin connectors and 62-pin connectors are not the same. The number of pins in a connector refers to the number of electrical connections it can make. An 8-pin connector has 8 pins, while a 62-pin connector has 62 pins, indicating a significant difference in the number of possible connections. The type and size of connectors also differ based on their pin count, so they are not interchangeable.
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Are 8-pin connectors and 62-pin connectors the same thing?
No, 8-pin connectors and 62-pin connectors are not the same thing. The number of pins in a connector refers to the number of electrical connections it can make. An 8-pin connector has 8 pins, while a 62-pin connector has 62 pins. The two connectors are designed for different purposes and have different capabilities based on the number of pins they have.
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What is better: soldering stranded wire, crimp connectors, or solder connectors?
Soldering stranded wire is generally considered the best option as it provides a strong and reliable connection. Crimp connectors can also provide a secure connection when done properly, but they may be more prone to failure if not crimped correctly. Solder connectors can provide a strong connection, but they can be more time-consuming and may be more prone to failure if not soldered properly. Overall, soldering stranded wire is often the preferred method for creating a secure and reliable electrical connection.
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Do you still need RCA audio-video cables and connectors?
RCA audio-video cables and connectors are still used in many audio and video devices, especially older ones. While newer devices may use digital connections like HDMI or optical cables, there are still plenty of devices that rely on RCA connections. Additionally, some people prefer using RCA cables for specific applications or setups. Therefore, there is still a need for RCA audio-video cables and connectors in many situations.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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4Pcs Rca Locking Plugs Audio Video Connectors
4Pcs Rca Locking Plugs Audio Video Connectors
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Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving.This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations.This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions.The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers.Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.
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Online SEO & Digital Media Marketing Diploma Course
Learn the basics of marketing with the Online SEO and Digital Media Marketing Diploma Course Includes modules on email marketing, SEO and social media (including Facebook and Twitter) Teaches you all you need to excel in the world of online marketing as a professional or beginner Focus on data analytics, SEO keywords, website monetisation and plugin installation Taught through video tutorials, online materials, recommended reading and assessments Includes 35 hours of guided learning hours made up of real-time contact and guidance Get a professional qualification endorsed by TQUK and Ofqual Awarding Organisation Accredited by CPD and awards 40 CPD points upon completion See Full Details for product specifications Save on the Online SEO and Digital Media Marketing Diploma Course - now only 7.99 pounds
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What are time connectors?
Time connectors are words or phrases that are used to show the relationship between different events or actions in a sentence. They help to indicate the sequence of events, such as whether something happened before, after, or at the same time as something else. Time connectors are important for creating a clear and logical flow in writing, allowing readers to understand the timeline of events being described. Examples of time connectors include "firstly," "meanwhile," "subsequently," and "finally."
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What are Wago connectors?
Wago connectors are a type of electrical connector that allows for the quick and secure connection of wires without the need for twisting or soldering. They are often used in electrical installations to save time and ensure a reliable connection. Wago connectors come in various types, such as lever connectors, push-wire connectors, and cage clamp connectors, each designed for different applications and wire sizes. They are known for their ease of use, durability, and ability to create vibration-resistant connections.
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How can you convert 4-pin digital LEDs to 3-pin connectors?
To convert 4-pin digital LEDs to 3-pin connectors, you can use a simple adapter or converter cable. These cables typically have a 4-pin female connector on one end and a 3-pin male connector on the other end, allowing you to easily connect your 4-pin digital LEDs to a 3-pin header on your motherboard or controller. Alternatively, you can also manually rewire the 4-pin LED strip to a 3-pin connector by cutting and reconnecting the wires, ensuring that the positive, negative, and data wires are correctly aligned.
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What are different LAN connectors?
There are several different LAN connectors commonly used in local area networks. Some of the most common LAN connectors include Ethernet connectors such as RJ45, which is used for wired connections, and Wi-Fi connectors such as Wi-Fi adapters or USB dongles, which are used for wireless connections. Other LAN connectors include fiber optic connectors like SC or LC connectors, which are used for high-speed connections over long distances. Each type of LAN connector has its own advantages and is used based on the specific requirements of the network.
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