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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Are there energy drinks without caffeine content?
Yes, there are energy drinks available that do not contain caffeine. These drinks are often marketed as caffeine-free or decaffeinated energy drinks. They typically use alternative ingredients such as vitamins, amino acids, and natural extracts to provide an energy boost without the use of caffeine. Some people prefer caffeine-free energy drinks for various reasons, such as sensitivity to caffeine or wanting to avoid its stimulating effects.
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What is the alcohol content in mixed drinks?
The alcohol content in mixed drinks can vary widely depending on the type and amount of alcohol used in the drink. Generally, mixed drinks contain anywhere from 0.5 to 2 ounces of hard liquor, which typically has an alcohol content of 40-50%. This means that the alcohol content in mixed drinks can range from 10-25% or higher, depending on the specific recipe and ingredients used. It's important to be mindful of the alcohol content in mixed drinks and drink responsibly.
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Where can one buy affordable drinks online?
One can buy affordable drinks online from various sources such as discount beverage websites, bulk purchase retailers, and online marketplaces. Websites like Drizly, BevMo, and Total Wine offer a wide selection of affordable drinks and often have special promotions and discounts. Additionally, shopping on platforms like Amazon or Walmart can also provide access to a range of affordable drink options. It's important to compare prices and look for deals to find the best value when purchasing drinks online.
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Are gaming boosters really healthier than energy drinks?
Gaming boosters are often marketed as a healthier alternative to energy drinks because they typically contain fewer calories and sugar. Additionally, gaming boosters may include ingredients like vitamins, amino acids, and herbal extracts that are believed to support cognitive function and energy levels. However, it's important to note that the long-term effects of these ingredients are not well-studied, and some gaming boosters may still contain high levels of caffeine and other stimulants. Ultimately, the healthiness of gaming boosters compared to energy drinks depends on the specific ingredients and the individual's overall diet and health status.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Booze & Vinyl: A Music-and-Mixed-Drinks Matching Game
* CARD PAIRING GAME: Includes 100 full-color printed cards to match 50 sets of great music + boozy beverage pairings* RECIPE BOOK: 88-page book provides information on the music and full instruction for 50 amazing cocktails* DISCOVER YOUR OWN PAIRINGS: Book includes space to create your own unique music and drink combinations* ENTERTAIN LIKE A PRO: This game works for solo play as well as groups of 2, 3, or more* INSPIRED BY BEST-SELLING BOOK: Game based on Booze & Vinyl, the original guide to pairing cocktails with excellent music
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Cliff Richard Illuminated Drinks Glass UK memorabilia DRINKS GLASS
CLIFF RICHARD Illuminated Drinks Glass (UK souvenir clear plastic glass with two Cliff facsimile signatures along the top which flashes red orange gold blue and yellow when a button in the base is depressed standing 15 cm high with a 24 cm circumference and still in its original plastic box this is a perfect item to drink a cold beverage whilst listening to your favourite albums)
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Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving.This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations.This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions.The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers.Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.
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Why are soft drinks called soft drinks?
Soft drinks are called soft drinks because they do not contain any alcohol, making them non-alcoholic beverages. The term "soft" is used to differentiate them from "hard" drinks, which do contain alcohol. Soft drinks are also carbonated, giving them a fizzy or bubbly texture, which adds to their distinction from other types of beverages.
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How much are the monthly expenses for food, drinks, fuel, and entertainment?
The monthly expenses for food, drinks, fuel, and entertainment can vary greatly depending on individual preferences, lifestyle, and location. On average, a single person may spend around $300-$500 per month on groceries and dining out, $100-$200 on drinks and entertainment, and $50-$100 on fuel. However, these numbers can be higher or lower based on personal choices and circumstances. It's important to create a budget and track expenses to better understand and manage these costs.
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How can the alcohol content in mixed drinks be reduced?
The alcohol content in mixed drinks can be reduced by using less alcohol in the recipe. One way to achieve this is by increasing the amount of non-alcoholic mixers in the drink, such as juice, soda, or water. Another option is to choose lower-proof spirits or to opt for non-alcoholic alternatives to mimic the flavors of alcoholic beverages. Additionally, diluting the drink with ice can also help lower the overall alcohol content.
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How do I determine the sugar content of soft drinks?
To determine the sugar content of soft drinks, you can check the nutrition label on the packaging. Look for the amount of sugar listed in grams per serving size. You can also calculate the sugar content by multiplying the number of grams of sugar by 4, since there are 4 calories per gram of sugar. Another way to estimate the sugar content is by using a refractometer, which measures the sugar content based on the drink's density.
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