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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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The Music in African American Fiction
Originally published in 1995, The Music of African American Fiction is a historical analysis of the tradition of representing music in African American fiction.The book examines the impact of evolving musical styles and innovative musicians on black culture as is manifested in the literature.The analysis begins with the slave narratives and the emergence of the first black fiction of the antebellum years and moves through the Reconstruction.This is followed by analyses of definitive fictional representations of African American music from the turn-of-the-century through Harlem Renaissance, the Depression and World War II eras through the 1960s and the Black Arts Movement.The representation of black music shapes a lineage that extends from the initial chronicles written in response to sub-human bondage to the declarations of an autonomous "black aesthetic" and dramatically influences the evolution of an African American literary tradition.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Bug Club Guided Fiction Year Two Fiction Lime A Mae in the Middle: Music Master
One morning Mae hears a trumpet on the radio. She can't get the tune out of her head. Her mum says no to trumpet lessons but Mae is helped by her friend's sister to learn to play and is able to perform in the school concert.Her mother is delighted and promises her lessons. Part of the Bug Club reading series used in over 3500 schools Helps your child develop reading fluency and confidence Suitable for children age 6-7 (Year 2) Book band: Lime A Phonics phase: 6 Â
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Fiction
'Fiction' EP is as much a project of curation as it is one of creation: sifting, re-imagining, and re-framing, sometimes completely disassembling and then building from the ground up. Each song is a live-off-the-floor recording that was then taken into isolation and re-worked. But as much as 'Fiction' is a project born of introspection and reflection, it's equally one for which Suuns sought inspiration from outside. Longtime friend of the band Radwan Ghazi Moumneh (Jerusalem In My Heart), bringing relentless claps and buzuks, leads Suuns through 'Breathe', while Amber Webber (Lightning Dust) sings a mournful siren song on the penultimate track, 'Death'. Finally, the ghost of Frank Zappa lends the band his fervent societal diagnosis, as relevant today as it ever was, on 'Trouble Every Day'.
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Which streaming service is suitable for science fiction?
A streaming service suitable for science fiction would be Netflix. Netflix offers a wide range of science fiction movies and TV shows, including popular titles like "Stranger Things," "Black Mirror," and "Altered Carbon." With a diverse selection of science fiction content, Netflix is a great choice for fans of the genre looking for a variety of options to stream.
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Is the Bible a non-fiction book or a fiction?
The Bible is generally considered a non-fiction book by those who adhere to the religious beliefs it represents. It is a collection of religious texts and scriptures that are considered to be the word of God by many Christians and Jews. However, some people may view certain parts of the Bible as allegorical or metaphorical, leading to differing interpretations of its factual accuracy. Ultimately, the classification of the Bible as non-fiction or fiction depends on an individual's religious beliefs and perspective.
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Who likes non-fiction books?
Many people enjoy reading non-fiction books, including those who are interested in learning about real events, historical figures, scientific discoveries, or self-improvement. Non-fiction books appeal to readers who are curious about the world around them and want to gain knowledge and insights from factual information. Additionally, students, researchers, and professionals often seek out non-fiction books to deepen their understanding of specific subjects or to stay informed about current events and trends.
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Are non-fiction books literature?
Non-fiction books can be considered literature because they are written works that convey information, ideas, and perspectives in a creative and artistic way. While they may not be works of fiction, non-fiction books still require skillful writing, research, and storytelling to engage readers and provoke thought. Many non-fiction books are highly regarded for their literary merit and impact on society, making them an important part of the literary landscape.
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Is 1984 fiction or reality?
"1984" is a work of fiction written by George Orwell, but it contains elements that are reflective of reality. The novel explores themes of government surveillance, propaganda, and the manipulation of truth, which are relevant to real-world political and social issues. While the specific events and characters in the book are fictional, the underlying themes and warnings about the dangers of totalitarianism and authoritarianism are rooted in real-world concerns. Therefore, "1984" can be seen as a work of fiction that reflects certain aspects of reality.
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Can you explain Pulp Fiction?
Pulp Fiction is a nonlinear crime film directed by Quentin Tarantino. The movie follows several interconnected storylines involving two hitmen, a boxer, a mob boss, and a mysterious briefcase. The film is known for its non-linear narrative, witty dialogue, and eclectic soundtrack. Pulp Fiction is often praised for its unique storytelling and memorable characters, and it has become a cult classic in the crime genre.
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Who knows this science fiction film?
Fans of science fiction films and enthusiasts of the genre are likely to know this particular science fiction film. Additionally, those who follow the work of the director, actors, or production company associated with the film may also be familiar with it. Furthermore, individuals who have a general interest in popular culture and cinema may have come across this science fiction film through various media channels.
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What are great non-fiction books?
Great non-fiction books are those that provide valuable and well-researched information on a specific topic, while also engaging and captivating the reader. They can cover a wide range of subjects, from history and science to personal development and memoirs. Some examples of great non-fiction books include "Sapiens: A Brief History of Humankind" by Yuval Noah Harari, "The Immortal Life of Henrietta Lacks" by Rebecca Skloot, and "Quiet: The Power of Introverts in a World That Can't Stop Talking" by Susan Cain. These books offer insightful perspectives, compelling storytelling, and thought-provoking analysis, making them stand out in the non-fiction genre.
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