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  • Streaming Music : Practices, Media, Cultures
    Streaming Music : Practices, Media, Cultures

    Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.

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  • Content Production for Digital Media : An Introduction
    Content Production for Digital Media : An Introduction

    This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.

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  • Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
    Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media

    How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

    Price: 91.00 £ | Shipping*: 0.00 £
  • Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
    Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media

    How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

    Price: 28.95 £ | Shipping*: 0.00 £
  • Is Focus Online a reputable newspaper?

    Yes, Focus Online is considered a reputable newspaper in Germany. It is one of the most widely read online news sources in the country and covers a wide range of topics including politics, business, and culture. The publication has a strong track record of providing accurate and reliable news coverage, and its journalists adhere to professional standards of reporting. Additionally, Focus Online has won several awards for its journalism, further establishing its reputation as a credible news source.

  • Is Focus Online a reputable news provider?

    Focus Online is considered a reputable news provider in Germany. It is one of the most visited news websites in the country and covers a wide range of topics including politics, business, and entertainment. The website has a large readership and is known for providing up-to-date and reliable information. However, as with any news source, it is important to critically evaluate the information presented and consider multiple sources to ensure accuracy and objectivity.

  • Is there a music streaming service that does not focus on playlists and offers the ability to add local music?

    Yes, there are music streaming services that do not focus on playlists and offer the ability to add local music. One such service is Plex, which allows users to stream their own music collection from their personal library in addition to accessing a wide range of online music. Plex also offers features such as personalized radio stations and music recommendations based on listening habits. Another option is Subsonic, which is a self-hosted music streaming server that allows users to upload and stream their own music collection from anywhere. These services cater to users who want more control over their music library and do not rely heavily on curated playlists.

  • Is there a music streaming service that does not focus on playlists and allows the option to add local music?

    Yes, one music streaming service that does not focus on playlists and allows users to add local music is Plexamp. Plexamp is a music player app created by Plex, a media server software company. It allows users to stream music from their personal music library as well as from Tidal, and it also supports the ability to add and play local music files stored on the user's device. This service caters to users who prefer to listen to their own music collection rather than curated playlists.

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  • Focus: Gamelan Music of Indonesia
    Focus: Gamelan Music of Indonesia

    Focus: Gamelan Music of Indonesia, Third Edition, introduces the emblematic music of Southeast Asia’s largest country, as sound and as cultural phenomenon, highlighting the significant role gamelan music plays in the national culture while teaching of Indonesian values and modern-day life.Despite Indonesia’s great diversity—a melting pot of indigenous, Hindu, Buddhist, Islamic, Portuguese, Dutch, British, and modern global influences—a forged national identity is at its core.This volume explores that identity, understanding present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan music through ethnic, social, cultural, and global perspectives.New to the third edition:Updated content throughout to reflect current Indonesian history and geography, as well as revivals of gamelan ensembles by the Cirebonese courtsModern examples of Indonesian musics, along with new uses of gamelan and other traditional musicsAn examination of school gamelan and ISBI as a center of innovationExpanded discussion on dangdut and its current status in Indonesia, along with Islam’s effect on dangdutListening examples now posted as online eResources

    Price: 45.99 £ | Shipping*: 0.00 £
  • The Arena Concert : Music, Media and Mass Entertainment
    The Arena Concert : Music, Media and Mass Entertainment

    The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.

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  • Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
    Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation

    Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving.This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations.This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions.The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers.Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.

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  • Baroque Music in Focus : Second Edition
    Baroque Music in Focus : Second Edition


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  • How can I focus the background when streaming with the camera?

    To focus the background when streaming with the camera, you can adjust the aperture settings on your camera to create a shallow depth of field. This will blur the background and bring focus to the subject in the foreground. Additionally, you can also use a lens with a wider aperture, such as a prime lens with a low f-stop number, to achieve a similar effect. Experimenting with different camera settings and lenses will help you achieve the desired focus on the background while streaming.

  • Can the Nikon D500 continuously focus in video mode?

    Yes, the Nikon D500 can continuously focus in video mode using its full-time autofocus (AF-F) mode. This feature allows the camera to continuously adjust focus while recording video, providing smooth and accurate focus tracking for moving subjects. The D500's advanced autofocus system and customizable settings make it well-suited for capturing high-quality video with reliable continuous focus.

  • Does Germany's media focus too much on its own history?

    Germany's media does tend to focus a lot on its own history, particularly the events of World War II and the Holocaust. While it is important for Germany to confront and learn from its past, there is a risk of it overshadowing other important issues both domestically and internationally. It is crucial for the media to strike a balance between addressing historical injustices and covering current events and global issues. By doing so, Germany's media can provide a more comprehensive and balanced view of the world.

  • Does a gaming booster help to focus on school?

    While a gaming booster may help improve focus and concentration during gaming sessions, it is unlikely to have a significant impact on school-related tasks. The ingredients in gaming boosters are typically geared towards enhancing gaming performance rather than academic performance. To focus on schoolwork, it is best to prioritize healthy habits such as getting enough sleep, eating a balanced diet, and practicing good study habits.

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