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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Glow In The Dark Silicone Remote Cover For FireStick Streaming Media Device | Firesticktv 4k+ 2021 |
Glow In The Dark Silicone Remote Cover For FireStick Streaming Media Device | Firesticktv 4k+ 2021 |
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Glow In The Dark Silicone Remote Cover For FireStick Streaming Media Device | Firesticktv 4k+ 2021 |
Glow In The Dark Silicone Remote Cover For FireStick Streaming Media Device | Firesticktv 4k+ 2021 |
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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How can you make glow sticks glow longer?
You can make glow sticks glow longer by placing them in the freezer. The cold temperature slows down the chemical reaction inside the glow stick, which can extend its glow time. Additionally, you can try shaking the glow stick to mix the chemicals more thoroughly, which can also help to make it glow brighter and longer.
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Do you glow if you eat glow sticks?
No, eating glow sticks will not make you glow. Glow sticks contain chemicals that produce light through a chemical reaction when the stick is bent and the chemicals inside mix together. Ingesting these chemicals can be harmful and toxic to your body, so it is important to avoid eating or biting into glow sticks.
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How do glow plugs and glow plugs synchronize?
Glow plugs are used in diesel engines to heat the combustion chamber before starting the engine. They are synchronized with the engine's ignition system to ensure that they heat up at the right time for the engine to start smoothly. The synchronization is typically controlled by the engine's electronic control unit (ECU), which monitors the engine's temperature and other parameters to determine when to activate the glow plugs. When the ECU detects that the engine is cold, it sends a signal to the glow plugs to heat up, and once the engine reaches the optimal temperature, the glow plugs are deactivated. This synchronization ensures that the engine starts efficiently and reduces emissions during cold starts.
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How can I make my RC glow plug glow?
To make your RC glow plug glow, you will need to use a glow igniter. This is a small device that provides a high voltage current to the glow plug, causing it to heat up and glow. Simply connect the glow igniter to the glow plug and hold it in place for a few seconds to allow the plug to heat up. Once the plug is glowing, you can start your RC engine. Make sure to use a fully charged glow igniter for best results.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving.This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations.This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions.The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers.Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.
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What is this glow stick for? See YouTube video.
This glow stick is used for emergency situations, such as when a car breaks down at night. It can be used to signal for help by waving it in the air or attaching it to the car. The glow stick's bright light can help make the car more visible to passing drivers, increasing the chances of getting assistance. The YouTube video likely demonstrates how to use the glow stick effectively in emergency situations.
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May it glow?
Yes, it may glow depending on the circumstances. Certain objects or substances have the ability to emit light, such as glow-in-the-dark materials or bioluminescent organisms. By providing the right conditions, such as darkness or a chemical reaction, these objects can glow.
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Are glow sticks toxic?
Glow sticks are not typically considered toxic, as they are made of non-toxic chemicals. However, the contents inside glow sticks can cause irritation if they come into contact with the skin or eyes. It is important to handle glow sticks with care and avoid ingesting the contents. If ingested, it is recommended to seek medical advice.
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Why do jellyfish glow?
Jellyfish glow due to a process called bioluminescence, which is the production and emission of light by a living organism. This ability to glow serves several purposes for jellyfish, including attracting prey, deterring predators, and communicating with other jellyfish. The bioluminescent glow is produced by special cells within the jellyfish called photocytes, which contain a light-emitting molecule that reacts with oxygen to produce light. This adaptation has allowed jellyfish to thrive in their oceanic habitats and has fascinated scientists and observers for centuries.
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