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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Price: 28.95 £ | Shipping*: 0.00 £
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Is an SOS marking useful?
Yes, an SOS marking can be very useful in emergency situations. It is a universal distress signal that can be easily recognized by search and rescue teams, pilots, and other people in the vicinity. By creating an SOS marking using rocks, branches, or other materials, individuals in distress can increase their chances of being located and rescued. It is important to ensure that the SOS marking is large and visible from the air or ground.
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Is this CE marking genuine?
Without being able to physically inspect the CE marking in question, it is difficult to determine its authenticity. However, there are some common signs to look for to verify if a CE marking is genuine, such as checking for the correct format and size, ensuring it is affixed to the product or packaging, and confirming that the accompanying documentation matches the marking. If there are any doubts about the authenticity of the CE marking, it is recommended to contact the manufacturer or a regulatory authority for further verification.
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Is a CE marking required?
A CE marking is required for certain products placed on the market in the European Economic Area (EEA). It indicates that the product complies with EU safety, health, and environmental protection requirements. Products such as machinery, electrical equipment, toys, and medical devices must have a CE marking before they can be sold in the EEA. Failure to comply with CE marking requirements can result in penalties and the product being removed from the market.
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What is a road marking?
A road marking is a painted or embedded line or symbol on a road surface that provides information to drivers and pedestrians. These markings are used to indicate traffic lanes, pedestrian crossings, stop lines, and other important information for road users. Road markings are essential for guiding and organizing traffic flow, improving road safety, and reducing the risk of accidents. They are typically painted with reflective paint to enhance visibility, especially at night or in adverse weather conditions.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving.This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations.This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions.The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers.Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.
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marking ephemeral
This temporary marking spray, available in 7 colours, is ideal for temporary marking of risk or safety areas, especially during sports and events. It will naturally fade with time, after 2530 days, in a natural way.Characteristic :Colors: Pink - red - yellow - green - blue - white - orange
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Multiple countries languages Automatic printers, coding and marking machines, online inkjet
Multiple countries languages Automatic printers, coding and marking machines, online inkjet
Price: 363.79 € | Shipping*: 0 €
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What are the advantages and disadvantages of man-marking and zonal marking in set pieces?
Man-marking in set pieces allows for tighter coverage of individual players, making it harder for them to find space and create scoring opportunities. It also allows for more accountability as each player is responsible for marking a specific opponent. However, man-marking can lead to confusion and mismatches if players are not able to track their marks effectively. On the other hand, zonal marking in set pieces allows players to cover specific areas of the field, making it easier to defend against aerial threats and crosses. It also promotes better organization and communication among defenders. However, zonal marking can leave gaps in coverage if players do not effectively guard their assigned zones, leading to scoring opportunities for the opposition.
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Which marking indicates the airplane window?
The airplane window is typically marked with a small, round or oval-shaped symbol on the outside of the aircraft. This marking helps maintenance crews identify the location of the window for inspection or repair purposes. Additionally, the window may also have a small label or number next to it to further indicate its position on the aircraft.
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Which marking indicates the aircraft window?
The marking that indicates the aircraft window is typically a small, square or rectangular symbol located on the outside of the plane's fuselage. This marking is usually positioned near the emergency exits and serves as a visual indicator for passengers and crew to easily locate the windows in case of an emergency evacuation. It is important for passengers to familiarize themselves with the location of these markings to ensure a safe and efficient evacuation if needed.
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What marking does the oil have?
The oil has a marking of "extra virgin" on the label, indicating that it is of the highest quality and has been cold-pressed from the first pressing of the olives. This marking ensures that the oil has a low level of acidity and has not been refined or processed with heat or chemicals. It is a sign of superior taste and quality in olive oil.
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