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Researching Popular Entertainment
Researching Popular Entertainment is an essential volume for scholars delving into the vibrant yet complex world of popular entertainment. Written by a global network of experts, this book addresses the unique challenges researchers face in this field.The often-dismissed status of popular entertainment, coupled with its reliance on physicality and improvisation over scripted performances, has meant archival and textual sources tend to be more limited than in related theatre and performance disciplines.This scarcity requires historians to find alternative pathways through the available materials to recuperate seemingly insignificant figures and performance forms from our cultural past.This book provides a candid look into the research processes of its authors, highlighting some of the approaches they have adopted to overcome these challenges.It emphasises that reading performance as entertainment is a deliberate methodological choice.Regardless of whether a work is deemed high or low art, legitimate or illegitimate, understanding how it captivates its audience is central to the study of entertainment. Readers will benefit from its in-depth analysis and practical guidance, making it an indispensable resource for anyone studying popular entertainment.
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Researching Popular Entertainment
Researching Popular Entertainment is an essential volume for scholars delving into the vibrant yet complex world of popular entertainment. Written by a global network of experts, this book addresses the unique challenges researchers face in this field.The often-dismissed status of popular entertainment, coupled with its reliance on physicality and improvisation over scripted performances, has meant archival and textual sources tend to be more limited than in related theatre and performance disciplines.This scarcity requires historians to find alternative pathways through the available materials to recuperate seemingly insignificant figures and performance forms from our cultural past.This book provides a candid look into the research processes of its authors, highlighting some of the approaches they have adopted to overcome these challenges.It emphasises that reading performance as entertainment is a deliberate methodological choice.Regardless of whether a work is deemed high or low art, legitimate or illegitimate, understanding how it captivates its audience is central to the study of entertainment. Readers will benefit from its in-depth analysis and practical guidance, making it an indispensable resource for anyone studying popular entertainment.
Price: 39.99 £ | Shipping*: 0.00 £ -
The Business : A History of Popular Music from Sheet Music to Streaming
Let legendary impresario Simon Napier-Bell take you inside the world of popular music: not just a cradle for talent and expression, but a business that has made people rich beyond their wildest dreams.He balances seductive anecdotes – pulling back the curtain on the gritty and absurd side of the industry – with an insightful exploration of the relationship between creativity and money. The Business describes the evolution of the industry from its birth in the eighteenth century to the huge global market it has become today.Inside you will uncover a treasure trove of musical facts, including how a formula for writing hits in the 1900s helped create 50,000 of the best-known songs of all time; how Jewish immigrants and Black jazz musicians dancing cheek-to-cheek established a template for all popular music that followed; and how rock tours became the biggest, quickest, sleaziest and most profitable ventures the industry had ever seen. Read it and you'll never listen to music in the same way again.
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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Which entertainment topics are popular among boys?
Entertainment topics that are popular among boys often include action-packed movies, video games, sports, and superhero comics. Boys are often drawn to high-energy and adrenaline-pumping content, such as action and adventure movies, as well as video games with intense gameplay and competition. Additionally, sports, both as a form of entertainment and as a participatory activity, are also popular among boys. Superhero comics and movies also tend to be a favorite, as they often feature powerful characters and exciting storylines.
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Is metal music popular?
Metal music has a dedicated and passionate fan base, but it may not be as popular as other mainstream genres like pop or hip-hop. However, metal music has a strong presence in the music industry and continues to have a significant impact on popular culture. Many metal bands have achieved commercial success and have a loyal following, indicating that metal music is indeed popular within its niche audience.
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Why is gaming so popular?
Gaming is popular for several reasons. Firstly, it provides a form of entertainment and escapism for people, allowing them to immerse themselves in different worlds and experiences. Additionally, gaming offers a sense of achievement and progression as players complete challenges and reach new levels. The social aspect of gaming, such as playing with friends or competing against others online, also contributes to its popularity. Finally, the advancement of technology has made gaming more accessible and visually appealing, attracting a wider audience.
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Has gaming become less popular?
No, gaming has not become less popular. In fact, the gaming industry has experienced significant growth in recent years, with more people of all ages engaging in gaming activities. The rise of mobile gaming, esports, and virtual reality has contributed to the continued popularity of gaming. Additionally, the COVID-19 pandemic has led to an increase in gaming as people look for entertainment and social interaction while staying at home. Overall, gaming remains a popular and thriving form of entertainment.
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Popular Film and Television Comedy
Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance.Relating this diversity to the variety of comedy's basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts.They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and norms, and, to demonstrate this, they discuss a wide range of programmes and films, from Blackadder to Bringing up Baby, from City Limits to Blind Date, from the Roadrunner cartoons to Bless this House and The Two Ronnies.Comedies looked at in particular detail include: the classic slapstick films of Keaton, Lloyd, and Chaplin; Hollywood's 'screwball' comedies of the 1930s and 1940s; Monty Python, Hancock, and Steptoe and Son.The authors also relate their discussion to radio comedy.
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Iranian Music and Popular Entertainment : From Motrebi to Losanjelesi and Beyond
The word motreb finds its roots in the Arabic verb taraba, meaning ‘to make happy.’ Originally denoting all musicians in Iran, motrebi came to be associated, pejoratively, with the cheerful vulgarity of the lowbrow entertainer.In Iranian Music and Popular Entertainment, GJ Breyley and Sasan Fatemi examine the historically overlooked motrebi milieu, with its marginalized characters, from luti to gardan koloft and mashti, as well as the tenacity of motreb who continued their careers against all odds.They then turn to losanjelesi, the most pervasive form of Iranian popular music that developed as motrebi declined, and related musical forms in Iran and its diasporic popular cultural centre, Los Angeles.For the first time in English, the book makes available musical transcriptions, analysis and lyrics that illustrate the complexities of this history.As it presents the findings of the authors’ years of ethnographic work with the history’s protagonists, from senior motreb to pop-rock stars, the book reveals parallels between the decline of motrebi and the rise of ‘modernity.’ In the twentieth century, the fate of Tehran’s motrebi music was shaped by the social and urban polarization that ensued from the modern market economy, and losanjelesi would be similarly affected by transnational relations, revolution, war and migration.Through its detailed and informed examination of Iranian popular music, this study reveals much about the values and anxieties of Iranian society, and is a valuable resource for students and scholars of Iranian society and history.
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Popular Opera in Eighteenth-Century France : Music and Entertainment before the Revolution
This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings.Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect.Its songs were performed in private homes, where operas themselves were also given.The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage.In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century.Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.
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Popular Music as Promotion : Music and Branding in the Digital Age
'Business-as-usual' has been transformed across the music industries in the post-CD age.Against widespread hype about the purported decline of the major music labels, this book provides a critique of the ways these companies have successfully adapted to digital challenges – and what is at stake for music makers and for culture. Today, recording artists are positioned as 'artist-brands' and popular music as a product to be licensed by consumer and media brands.Leslie M. Meier examines key consequences of shifting business models, marketing strategies, and the new 'common sense' in the music industries: the gatekeeping and colonization of popular music by brands. Popular Music as Promotion is important reading for students and scholars of media and communication studies, cultural studies and sociology, and will appeal to anyone interested in new intersections of popular music, digital media and promotional culture.
Price: 16.99 £ | Shipping*: 3.99 £
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How popular is German music abroad?
German music has gained popularity abroad, especially in neighboring European countries. Artists like Rammstein, Kraftwerk, and Scorpions have achieved international success and have a dedicated fan base worldwide. Additionally, German electronic music, such as techno and house, has a strong following in clubs and festivals around the globe. Overall, German music is well-regarded and appreciated by music lovers outside of Germany.
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Is pop music popular among women?
Yes, pop music is popular among women. Pop music often features catchy melodies, relatable lyrics, and themes that resonate with a wide audience, including women. Many female artists have achieved great success in the pop music genre, further contributing to its popularity among women. Additionally, pop music is often played on mainstream radio stations and at popular events, making it easily accessible and enjoyed by many women around the world.
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Why is pop music so popular?
Pop music is popular because it is designed to be catchy, easy to listen to, and appeals to a wide audience. The repetitive melodies, simple lyrics, and upbeat rhythms make pop music easy to sing along to and remember. Additionally, pop music often reflects current trends and cultural influences, making it relatable to listeners. The production quality of pop music is also typically high, with polished sound and professional recording techniques, which adds to its appeal.
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What is the most popular content on YouTube?
The most popular content on YouTube tends to be music videos, followed by entertainment and lifestyle vlogs, and gaming videos. Music videos from popular artists and bands often receive billions of views, making them some of the most-watched content on the platform. Additionally, lifestyle vlogs and entertainment content from popular creators also tend to attract large audiences. Gaming videos, including playthroughs, reviews, and tutorials, are also highly popular on YouTube, especially among younger audiences.
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