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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Luxury Deluxe Aluminium alloy Frosted Rotatable & Foldable Replicate Silver Space Grey Metal Phone
Luxury Deluxe Aluminium alloy Frosted Rotatable & Foldable Replicate Silver Space Grey Metal Phone
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Luxury Deluxe Aluminium alloy Frosted Rotatable & Foldable Replicate Silver Space Grey Metal Phone
Luxury Deluxe Aluminium alloy Frosted Rotatable & Foldable Replicate Silver Space Grey Metal Phone
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How can one replicate a video effect?
One can replicate a video effect by using video editing software such as Adobe Premiere Pro, Final Cut Pro, or After Effects. These programs offer a wide range of tools and effects that can be used to recreate specific video effects. By studying the original video effect and experimenting with different settings and adjustments, one can work towards replicating the desired effect. Additionally, there are many online tutorials and resources available that can provide guidance on how to achieve specific video effects.
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What does replicate mean?
Replicate means to duplicate or reproduce something exactly. It involves creating an identical or very similar version of an original object, experiment, or process. In scientific research, replicating an experiment is crucial to validate the results and ensure their reliability. Replication helps to confirm the accuracy and consistency of findings, allowing for greater confidence in the conclusions drawn from the study.
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How do viruses replicate?
Viruses replicate by attaching to a host cell and injecting their genetic material into the cell. The virus then takes over the host cell's machinery to replicate its genetic material and produce new virus particles. These new virus particles are then released from the host cell, often destroying the cell in the process. This cycle continues as the newly formed viruses go on to infect other cells in the body.
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How can one replicate Arduino?
To replicate Arduino, one would need to gather the necessary components such as a microcontroller, voltage regulator, and other electronic components. The microcontroller is the most important part as it is the brain of the Arduino board. Next, one would need to program the microcontroller using the Arduino IDE or other compatible software. Finally, the components would need to be assembled on a circuit board following the design and layout of an Arduino board. With these steps, one can replicate the functionality of an Arduino board.
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Can you replicate a ring?
As an AI, I cannot physically replicate a ring. However, I can provide information and guidance on how to replicate a ring using various methods such as 3D printing, casting, or traditional jewelry making techniques. If you are looking to replicate a specific ring, it's best to consult with a professional jeweler who can help you create a replica based on the original design.
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Can one replicate a sex toy?
It is possible to replicate a sex toy using various methods such as 3D printing, molding, or crafting. However, it is important to consider the materials used in the replication process to ensure they are body-safe and non-toxic. Additionally, replicating a sex toy may not provide the same quality or safety standards as a professionally manufactured product, so caution should be taken when attempting to replicate one.
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Could you please replicate Zara jeans?
I'm sorry, but I am not able to replicate or create exact copies of any specific brand's products, including Zara jeans. However, I can provide general guidance on how to find similar styles or suggest alternatives that may be of interest to you. Let me know if you need help with anything else!
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How can one replicate cave paintings?
To replicate cave paintings, one can start by researching the specific techniques and materials used by ancient artists. This may involve using natural pigments like charcoal, ochre, and clay, as well as tools like brushes, sticks, and fingers. Finding a suitable rock surface or creating a similar texture can help achieve an authentic look. It's also important to consider the cultural and historical context of the cave paintings being replicated to ensure accuracy and respect for the original artwork.
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