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    Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.

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  • Handbook of MRI Scanning
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  • Content Production for Digital Media : An Introduction
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  • 2D TTL Embedded Barcode Module Mini Embedded Scanning Module USB/RS232/TTL Cheap Scanning Module
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    2D TTL Embedded Barcode Module Mini Embedded Scanning Module USB/RS232/TTL Cheap Scanning Module

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  • Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
    Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media

    How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

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  • Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
    Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media

    How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

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Similar search terms for Scanning:


  • Is scanning illegal?

    Scanning itself is not illegal, but the legality of scanning depends on the context and the laws of the jurisdiction. For example, scanning someone's personal documents without their permission could be considered illegal under privacy laws. However, scanning documents for personal or business use, or for legitimate purposes such as research or education, is generally legal. It's important to be aware of the laws and regulations regarding scanning in your specific area to ensure that you are in compliance.

  • What is the difference between scanning in and scanning out?

    Scanning in refers to the process of recording the entry of an individual into a particular location or system, such as a workplace or event. On the other hand, scanning out involves recording the exit or departure of an individual from the same location or system. Scanning in and scanning out are often used for attendance tracking, security purposes, or to monitor the movement of individuals within a specific area.

  • What does scanning mean?

    Scanning refers to the process of quickly looking over or examining something in order to identify specific information or details. It involves a rapid visual search to locate key points or relevant data without reading every word in detail. Scanning is often used to quickly gather an overview of a text or document before deciding whether to read it more thoroughly. It is a useful technique for efficiently extracting important information from a large amount of content.

  • Is scanning useful or unnecessary?

    Scanning can be useful in certain situations, such as when trying to quickly gather information from a document or when conducting security checks. It can also be helpful in digitizing and storing important documents for easy access. However, in some cases, scanning may be unnecessary if the information can be easily accessed in its original form. Ultimately, the usefulness of scanning depends on the specific needs and circumstances of the task at hand.

  • Are texts cut off when scanning?

    Yes, texts can be cut off when scanning if the scanning process is not done properly. Factors such as the positioning of the document, the quality of the scanner, and the settings used during scanning can all contribute to text being cut off. It is important to ensure that the document is properly aligned and that the scanner settings are adjusted to capture the entire text to avoid any cut off.

  • Are texts cut off during scanning?

    Yes, texts can sometimes get cut off during scanning if the scanning process is not done accurately or if the original document is not aligned properly. This can result in missing or incomplete information in the scanned document. It is important to ensure that the scanning settings are adjusted correctly and that the document is placed correctly on the scanner to avoid any text being cut off.

  • How does scanning work at Staples?

    At Staples, scanning works by placing the document or image on the scanning bed and using the scanner to create a digital copy. Customers can use the self-service scanning stations or ask a Staples associate for assistance. The scanned files can then be saved to a USB drive, emailed, or printed. Additionally, Staples offers professional scanning services for larger projects or specialized scanning needs.

  • How long does the scanning take?

    The scanning process can vary in length depending on the size and complexity of the document being scanned. For a standard letter-sized document, the scanning process typically takes a few seconds to a minute. However, for larger documents or those with many pages, the scanning process may take several minutes to complete. Additionally, the speed of the scanner and the resolution settings can also impact the overall scanning time.

* All prices are inclusive of VAT and, if applicable, plus shipping costs. The offer information is based on the details provided by the respective shop and is updated through automated processes. Real-time updates do not occur, so deviations can occur in individual cases.