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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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What happened to this digital camera sensor?
It appears that the digital camera sensor has been damaged or has malfunctioned. This is indicated by the distorted and discolored image it is producing. The sensor may have been exposed to physical damage, moisture, or extreme temperatures, causing it to no longer function properly. In this state, the sensor will likely need to be repaired or replaced in order to restore the camera's functionality.
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How can the light sensor (photodiode) be read out analog-digital?
The light sensor (photodiode) can be read out analog-digital by using an analog-to-digital converter (ADC). The photodiode generates a current or voltage signal in response to the incident light, which is then converted into a digital value by the ADC. The ADC samples the analog signal at regular intervals and quantizes it into discrete digital values, which can then be processed and analyzed by a microcontroller or computer. This digital output can be used to measure the intensity of the light and make decisions or trigger actions based on the light level.
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What is the light sensor and what is the rain sensor?
A light sensor is a device that detects the presence or absence of light. It measures the intensity of light in its surroundings and can be used to automatically adjust lighting levels in response to changing light conditions. On the other hand, a rain sensor is a device that detects the presence of rain or moisture. It is commonly used in automated irrigation systems to prevent watering when it is raining, conserving water and preventing overwatering of plants.
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Is the sensor of my Nikon D5100 a full-frame sensor?
No, the sensor of the Nikon D5100 is not a full-frame sensor. It is an APS-C sized sensor, which is smaller than a full-frame sensor. This means that the field of view captured by the sensor is narrower compared to a full-frame sensor, resulting in a crop factor of approximately 1.5x for Nikon DX format cameras like the D5100.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving.This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations.This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions.The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers.Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.
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Zebra ZT420 Media Sensor
Zebra ZT420 Media Sensor
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Online SEO & Digital Media Marketing Diploma Course
Learn the basics of marketing with the Online SEO and Digital Media Marketing Diploma Course Includes modules on email marketing, SEO and social media (including Facebook and Twitter) Teaches you all you need to excel in the world of online marketing as a professional or beginner Focus on data analytics, SEO keywords, website monetisation and plugin installation Taught through video tutorials, online materials, recommended reading and assessments Includes 35 hours of guided learning hours made up of real-time contact and guidance Get a professional qualification endorsed by TQUK and Ofqual Awarding Organisation Accredited by CPD and awards 40 CPD points upon completion See Full Details for product specifications Save on the Online SEO and Digital Media Marketing Diploma Course - now only 7.99 pounds
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How can the NXT color sensor and light sensor be programmed?
The NXT color sensor and light sensor can be programmed using the NXT-G programming software, which allows users to create custom programs for the sensors. The software provides a range of pre-built blocks that can be used to control and read data from the sensors, making it easy to create complex behaviors. Additionally, the sensors can be programmed using other programming languages such as RobotC or Java, which provide more advanced capabilities for controlling and processing sensor data. Overall, the NXT color sensor and light sensor can be programmed using a variety of tools and languages to suit the needs of the user.
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Which sensor is this?
This is a photoelectric sensor. It uses a light emitter and a receiver to detect the presence or absence of an object. When the emitted light is interrupted by an object, the sensor detects the change and triggers a response, such as turning on a light or stopping a conveyor belt. Photoelectric sensors are commonly used in industrial automation, packaging, and material handling applications.
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Inductive or Hall sensor?
The choice between an inductive sensor and a Hall sensor depends on the specific application and requirements. Inductive sensors are typically used for non-contact detection of metallic objects and are suitable for harsh industrial environments due to their robustness. On the other hand, Hall sensors are used for detecting the presence of magnetic fields and are often used in applications such as position sensing and speed detection. Ultimately, the decision between the two sensors should be based on the specific needs of the application, including the type of target object and the environmental conditions.
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How can one remove sensor spots from a video for free?
One way to remove sensor spots from a video for free is by using video editing software that offers a spot removal tool. Many free video editing software options, such as Shotcut, OpenShot, and DaVinci Resolve, provide tools for removing sensor spots or other imperfections from videos. These tools typically allow users to select the area with the sensor spot and replace it with surrounding pixels to seamlessly blend in with the rest of the video. Additionally, some online video editing platforms may also offer spot removal tools for free.
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