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  • Streaming Music : Practices, Media, Cultures
    Streaming Music : Practices, Media, Cultures

    Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.

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  • Content Production for Digital Media : An Introduction
    Content Production for Digital Media : An Introduction

    This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.

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  • Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
    Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media

    How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

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  • Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
    Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media

    How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

    Price: 28.95 £ | Shipping*: 0.00 £
  • What is meant by spin allowance and spin prohibitions?

    Spin allowance refers to the amount of spin that a bowler is allowed to impart on the ball while delivering it. This is typically regulated in cricket to ensure fair play and balance between bowlers and batsmen. Spin prohibitions, on the other hand, refer to specific actions or techniques that are not allowed when delivering the ball, such as throwing or using illegal equipment to enhance spin. These rules are in place to maintain the integrity of the game and ensure that all players compete on a level playing field.

  • Which animals spin?

    Several animals are known for their spinning abilities. Spiders are perhaps the most well-known for their ability to spin silk and create intricate webs. Silkworms also spin silk to create their cocoons. Some insects, such as caterpillars and moth larvae, also spin silk to create protective shelters. Additionally, some species of birds, such as the male bowerbird, are known for their spinning behavior as they construct elaborate nests or display areas to attract mates.

  • Why do hair spin?

    Hair spins because of the shape and texture of its individual strands. When hair is brushed or combed, the strands can become twisted and tangled, causing them to spin around each other. Additionally, factors such as static electricity and air currents can also contribute to hair spinning. Overall, the natural properties of hair, combined with external forces, lead to the spinning motion that is often observed.

  • Do tarantulas spin webs?

    No, tarantulas do not spin webs like other spiders. They are not known for building intricate webs to catch prey. Instead, tarantulas are ambush predators that rely on their speed and venom to catch their prey. They typically live in burrows or underground tunnels, where they wait for prey to come close enough for them to strike.

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  • You Spin Me Round : Essays on Music
    You Spin Me Round : Essays on Music


    Price: 13.00 £ | Shipping*: 3.99 £
  • Digital pet Spin Master Bitzee Magicals
    Digital pet Spin Master Bitzee Magicals

    Children deserve the best, that's why we present to you Digital pet Spin Master Bitzee Magicals, ideal for those who seek quality products for their little ones! Get Spin Master at the best prices!. Functions:. Light. Sound. Recommended age: + 5 Years. Number of batteries: 3. Battery operated: Yes. Batteries included:. Yes. No. Battery type: AA. Lights: No. Material: Plastic. Language: French

    Price: 49.00 £ | Shipping*: £
  • Digital pet Spin Master Bitzee Magicals
    Digital pet Spin Master Bitzee Magicals

    Children deserve the best, that's why we present to you Digital pet Spin Master Bitzee Magicals, ideal for those who seek quality products for their little ones! Get Spin Master at the best prices!. Functions:. Light. Sound. Recommended age: + 5 Years. Number of batteries: 3. Battery operated: Yes. Batteries included:. Yes. No. Battery type: AA. Lights: No. Material: Plastic. Language: French

    Price: 58.60 € | Shipping*: €
  • Digital pet Spin Master Bitzee Magicals
    Digital pet Spin Master Bitzee Magicals

    Children deserve the best, that's why we present to you Digital pet Spin Master Bitzee Magicals, ideal for those who seek quality products for their little ones! Get Spin Master at the best prices!. Functions:. Light. Sound. Recommended age: + 5 Years. Number of batteries: 3. Battery operated: Yes. Batteries included:. Yes. No. Battery type: AA. Lights: No. Material: Plastic. Language: French

    Price: 58.60 € | Shipping*: €
  • What is a top spin?

    A top spin is a type of spin that is applied to a ball in sports such as tennis, table tennis, and volleyball. When a player imparts top spin on the ball, the top of the ball rotates forward, causing it to dip down and then bounce higher when it hits the ground or the opponent's side of the court. This type of spin can make the ball more difficult for the opponent to return, as it can cause the ball to bounce unpredictably and with greater speed and spin. Top spin is a key technique used by players to control the trajectory and bounce of the ball in various sports.

  • Can one spin without food?

    No, one cannot spin without food. Spinning requires energy, and energy comes from the food we eat. Without food, the body does not have the necessary fuel to perform physical activities like spinning. It is important to maintain a balanced diet to ensure the body has the energy it needs to engage in physical activities.

  • How do you spin bottles?

    To spin a bottle, hold it by the neck with your fingers and give it a quick flick of the wrist to start it spinning. You can also place the bottle on a flat surface and give it a gentle push to get it spinning. The key is to apply just enough force to get the bottle rotating without knocking it over. Practice and experimentation with different techniques will help you master the art of spinning bottles.

  • Why don't kickflips spin properly?

    Kickflips may not spin properly due to a lack of proper technique or timing. If the flick of the foot is not executed correctly, the board may not rotate fully. Additionally, not committing fully to the trick or not jumping high enough can also result in an incomplete rotation. Practicing the motion and focusing on timing and form can help improve the consistency of kickflip rotations.

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