Products related to Subjectivity:
-
Subjectivity
Explores the history of theories of selfhood, from the Classical era to the present, and demonstrates how those theories can be applied in literary and cultural criticism.Donald E. Hall: * examines all of the major methodologies and theoretical emphases of the twentieth and twenty-first centuries, including psychoanalytic criticism, materialism, feminism and queer theory* applies the theories discussed in detailed readings of literary and cultural texts, from novels and poetry to film and the visual arts* offers a unique perspective on our current obsession with perfecting our selves * looks to the future of selfhood given the new identity possibilities arising out of developing technologies. Examining some of the most exciting issues confronting cultural critics and readers today, Subjectivity is the essential introduction to a fraught but crucial critical term and a challenge to the way we define our selves.
Price: 19.99 £ | Shipping*: 3.99 £ -
Obscurer Subjectivity
Price: 16.49 £ | Shipping*: 3.99 £ -
Women and Popular Music : Sexuality, Identity and Subjectivity
Women and Popular Music explores the changing role of women musicians and the ways in which their songs resonate in popular culture.Sheila Whiteley begins by examining the counter-culture's reactionary attitudes to women through the lyrics of The Beatles and The Rolling Stones.She explores the ways in which artists like Joplin and Joni Mitchell confronted issues of sexuality and freedom, redefining women's participation in the industry, and assesses the personal cost of their achievements.She considers how stars such as Annie Lennox, Madonna and k.d. lang have confronted issues of gender stereotyping and sexuality, through pop videos for 'Justify My Love' and 'Sweet Dreams (Are Made of This)', and looks at the enduring importance of the singer-songwriter through artists such as Tracey Chapman.Lastly, she assesses the contribution of contemporary artists including Tori Amos, P.J.Harvey and Courtney Love, and asks whether the Spice Girls are just a 'cartoon feminist pop group' or if they provide positive role models for teenage girls.
Price: 38.99 £ | Shipping*: 0.00 £ -
Echoing Exhibition Views: Subjectivity in Post-Digital Times
Edited by A. R. practice (Ann Richter & Agnieszka Roguski), Introduction by A.R. practice (Ann Richter & Agnieszka Roguski), Texts by Melanie Bühler, Erika Landström, Agnieszka RoguskiWhen the exhibition enters the digital realm, as it is increasingly happening now when the display of art and culture can be enjoyed individually behind screens, then how does the exhibition view diffuse optically, technically, and culturally? And how does this transformation echo the new understanding of subjectivity?Echoing Exhibition Views. Subjectivity in Post-Digital Times explores the different medialities and intersubjective shifts that follow the moment of seeing a physical exhibition today. It takes the digitized exhibition view as starting point for artistic and theoretic reflections on post-digital culture, hyperreality and its relation to subjectivity.Focusing on the transformative potential of the exhibition as circulating view, this publication asks how it transfers again into a subjective mode of perspective through the artistic lens. So what is at stake when an exhibition circulates as a digital view? And how does its digital presence in turn affect and transform the subjective experience of seeing a physical exhibition?With images from João Enxuto & Erica Love, Calla Henkel & Max Pitegoff, New Noveta/Yair Oelbaum, SANY, Hanna Stiegeler, Jasmin Werner, and Jonas Paul Wilisch, as well as texts by Melanie Bühler, Erika Landström, and Agnieszka Roguski, this publication gathers artists, curators, and writers who frame these questions through a variety of practices and media. It thus addresses a self-reflexive and critical approach on medium and format—understanding the exhibition as a fluid and diverse view.How is our view on exhibitions influenced by their digital re-/presentation on the internet?How can art affect the normalized, circulating installation views in a creative way––and articulate a subjective view in this way? And how, above all, do seemingly objective standards and subjectivity affect each other?The publication Echoing Exhibition Views. Subjectivity in Post-Digital Times focuses on the subjectivity of the supposedly objective exhibition documentation. It is about how artists realize a kind of subjective view when they are presenting an exhibition––in terms of performative, spatial, visual or technological aspects––and how that view can broaden, reflect or criticize the standardized claim of exhibition views.For Echoing Exhibition Views. Subjectivity in Post-Digital Times, a total of seven international artistic positions articulate their personal interpretation of the ‘installation view’. Most important is their disciplinary versatility, which provides a multifaceted and complex approach to the topic. Artistic photography, illustration, conceptual art and performance art together respond to the apparent objectivity emanating from exhibition documentation and the photographic installation view.The medium of display always shapes the work, therefore the form of the book becomes the venue for a visual tension between specification and ambiguity. To underline the modification as a productive act, A.R. practice interfered with book production standards and used a special RGB-three-color printing technique instead of CMYK. RGB (red green blue) is the digital color range and refers to the online format. However, it will evoke experimental effects for this analogue format.The guiding principle is the idea of transformation through various media and formats. Thus, the featured artists represent a practice in which various media and spaces are crossed; from the virtual exhibition on the internet to the actual exhibition space to the photographic image from the exhibition. All works become independent exhibition practices and works of art. TABLE OF CONTENTEditorial (A. R. practice: Ann Richter & Agnieszka Roguski) Essays:In Other Words, Please be True (Melanie Bühler)Subjective Exposure (Agnieszka Roguski)Professionalized Reenactment (Erika Landström)Featured work:João Enxuto & Erica Love “Anonymous Paintings” (2011–)Calla Henkel & Max Pitegoff “Schinkel Klause” (2016)New Noveta/Yair Oelbaum “Violent Amurg” (2017)SANY “Acting Untitled” (2009-2018)Hanna Stiegeler “Untitled” (2015)Jasmin Werner “Observational Games” (2016)Jonas Paul Wilisch “the work: a series of installation views” (2016/2017)
Price: 17.00 £ | Shipping*: 3.99 £
-
Is morality shaped by subjectivity?
Morality is shaped by a combination of subjective and objective factors. While there are certain universal moral principles that are widely accepted across different cultures and societies, individuals also bring their own subjective experiences, beliefs, and values to their understanding of morality. This means that while there may be some common ground in moral beliefs, there is also room for individual interpretation and variation. Ultimately, morality is a complex interplay of both subjective and objective influences.
-
What is meant by the subjectivity of perception?
The subjectivity of perception refers to the idea that each individual's perception of the world is influenced by their own unique experiences, beliefs, and emotions. This means that two people can perceive the same event or object in different ways based on their personal perspectives. Subjectivity of perception also suggests that our interpretations of sensory information are not purely objective, but are instead shaped by our internal thoughts and feelings. This concept highlights the complexity and variability of human perception.
-
What are the subjectivity and injectivity of a matrix?
Subjectivity of a matrix refers to the property of the matrix that determines whether the columns of the matrix span the entire space. If the columns are linearly independent and span the entire space, the matrix is said to be subjective. Injectivity of a matrix, on the other hand, refers to the property that determines whether the columns of the matrix are linearly independent. If the columns are linearly independent, the matrix is said to be injective.
-
What is the subjectivity and injectivity of a matrix?
The subjectivity of a matrix refers to the property of the matrix that determines whether the matrix can map every element in its domain to an element in its codomain. A matrix is said to be subjective if every element in the codomain is the image of at least one element in the domain. On the other hand, the injectivity of a matrix refers to the property of the matrix that determines whether the matrix maps distinct elements in its domain to distinct elements in its codomain. A matrix is said to be injective if every element in the codomain is the image of at most one element in the domain. In summary, subjectivity deals with whether every element in the codomain is covered by the matrix, while injectivity deals with whether distinct elements in the domain are mapped to distinct elements in the codomain.
Similar search terms for Subjectivity:
-
The Maternal, Digital Subjectivity, and the Aesthetics of Interruption
Bringing together philosophies of the maternal with digital technology may appear to be an arbitrary pairing.However, reading them intertextually through select creative practices reveals how both encompass an aesthetics of interruption that becomes a novel means of understanding subjectivity. EL Putnam investigates how the digital performances of certain artists, creators, and technologists rupture existing representations of the maternal, taking advantage of the formal properties of digital media.What results are interruptions of visual and aural constructions through an immanent merging of the performing body with digital technologies. Putnam bases her analysis on close examinations of the way certain makers use the formal properties of digital imagery, such as the gap, the glitch, and the lag, as means of rendering images of the maternal uncanny in order to challenge mediation, constituting an aesthetics of interruption.The result is a radical critical strategy for engaging with digital technology and subsequent understandings of the subject that defy current modes of assimilation.
Price: 95.00 £ | Shipping*: 0.00 £ -
Confessional Video Art and Subjectivity : Private Experiences in Public Spaces
This is the first book of its kind to examine the development of the confessional subject in video art and demonstrate how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society.In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Analysing a diverse selection of case studies from the 1960s up to the present day, covering the work of Yoko Ono, Gillian Wearing, Ryan Trecartin, Tracey Emin, Anatasia Klose, and Heath Franco, among others, the book brings together theory and practice to look afresh at contemporary video art through a Foucauldian lens.It also brings the analysis of video art up to date by showing how social media and digital self representation has informed and further politicized time-based art practices. Confessional Video Art and Subjectivity shows how forms of confessional discourse not only play an important function in the construction of subjectivity but also open spaces for personal resistance and agency within contemporary video art.As a result, it offers researchers of contemporary art practice, and media and cultural studies, an updated framework through which to view this constantly-evolving genre and a deeper understanding of wider contemporary video practices.
Price: 85.00 £ | Shipping*: 0.00 £ -
Lacanian Psychoanalysis : Revolutions in Subjectivity
Jacques Lacan's impact upon the theory and practice of psychoanalysis worldwide cannot be underestimated.Lacanian Psychoanalysis looks at the current debates surrounding Lacanian practice and explores its place within historical, social and political contexts.The book argues that Lacan’s elaboration of psychoanalytic theory is grounded in clinical practice and needs to be defined in relation to the four main traditions: psychiatry, psychology, psychotherapy and spirituality.As such topics of discussion include: the intersection between psychoanalysis and social transformationa new way through deadlocks of current Lacanian debatea new approach to ‘clinical structures’ of neurosis, perversion and psychosis Lacanian Psychoanalysis draws on Lacan's work to shed light on issues relevant to current therapeutic practice and as such it will be of great interest to students, trainees and practitioners of psychoanalysis, psychotherapy, counselling and other domains of personal and social change.
Price: 24.99 £ | Shipping*: 3.99 £ -
Consent : Gender, Power and Subjectivity
This book considers the concept of consent in different contexts with the aim of exploring the nuances of what consent means to different people and in different situations.While it is generally agreed that consent is a fluid concept, legal and social attempts to explain its meaning often centre on overly simplistic, narrow and binary definitions, viewing consent as something that occurs at a specific point in time. This book examines the nuances of consent and how it is enacted and re-enacted in different settings (including online spaces) and across time.Consent is most often connected to the idea of sexual assault and is often viewed as a straight-forward concept and one that can be easily explained.Yet there is confusion among the public, as well as among academics and professionals as to what consent truly is and even the degree to which individuals conceptualise and act on their own ideas about consent within their own lives. Topics covered include: consent in digital and online interactions, consent in education, consent in legal settings and the legal boundaries of consent, and consent in sexual situations including sex under the influence of substances, BDSM, and kinky sex.This book will appeal to students and scholars interested in issues of consent from the social sciences, gender theory, feminist studies, law, psychology, public health, and sexuality studies.
Price: 36.99 £ | Shipping*: 0.00 £
-
What does the metaphor "poem analysis new subjectivity" mean?
The metaphor "poem analysis new subjectivity" refers to the idea of approaching the analysis of a poem with a fresh and individual perspective. It suggests that instead of relying solely on established literary interpretations, one should bring their own unique experiences, emotions, and insights to the analysis. This metaphor encourages readers to engage with the poem on a personal level, allowing for a deeper and more subjective understanding of the text. It emphasizes the importance of individual interpretation and the recognition that each reader brings their own subjectivity to the analysis of a poem.
-
What is the theme in most of the poems of the New Subjectivity?
The theme in most of the poems of the New Subjectivity revolves around introspection, self-exploration, and the individual's inner thoughts and emotions. These poems often delve into personal experiences, feelings, and perceptions, focusing on the complexities of human existence and the search for meaning in a fragmented world. The poets of the New Subjectivity movement aim to express their innermost thoughts and emotions authentically, often blurring the lines between the personal and the universal.
-
What entertainment media and entertainment electronics are available?
There is a wide range of entertainment media and electronics available, including streaming services like Netflix, Hulu, and Amazon Prime for watching movies and TV shows. Additionally, there are gaming consoles such as PlayStation, Xbox, and Nintendo Switch for playing video games. Other entertainment electronics include smart TVs, sound systems, and virtual reality headsets for an immersive experience. Furthermore, there are also e-readers and audiobook services for those who enjoy reading and listening to books.
-
Is Baroque music serious music or entertainment music?
Baroque music can be seen as both serious music and entertainment music. On one hand, it was often composed for religious or ceremonial purposes, and its intricate compositions and use of counterpoint demonstrate a high level of musical sophistication. On the other hand, Baroque music was also performed in social settings and was meant to entertain and delight audiences. Its lively rhythms and expressive melodies were often used for dancing and other forms of entertainment. Therefore, Baroque music can be appreciated for its serious artistic qualities as well as its ability to provide enjoyment and entertainment.
* All prices are inclusive of VAT and, if applicable, plus shipping costs. The offer information is based on the details provided by the respective shop and is updated through automated processes. Real-time updates do not occur, so deviations can occur in individual cases.