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Sweet Sweet Music
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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Is it sweet or not sweet?
The sweetness of a food or drink can vary depending on personal preference and the specific item being consumed. Some people may find certain foods or drinks to be sweet, while others may not. It ultimately comes down to individual taste buds and what each person considers to be sweet.
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Why are sweet grasses called sweet?
Sweet grasses are called sweet because they emit a sweet, vanilla-like fragrance when they are crushed or burned. This pleasant aroma has led to the name "sweet grass" and has made it popular for use in ceremonies and smudging rituals in many indigenous cultures. The sweet scent is believed to purify and cleanse the environment, making it a valued plant for spiritual and medicinal purposes.
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What is sweet whey and sweet whey powder?
Sweet whey is a byproduct of cheese production, consisting of the liquid remaining after milk has been curdled and strained. It is a source of protein, lactose, vitamins, and minerals. Sweet whey powder is the dehydrated form of sweet whey, created by removing the moisture from the liquid whey. It is often used as an ingredient in food products, such as baked goods, confectionery, and protein supplements.
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Does a sweet potato taste sweet or neutral?
A sweet potato has a naturally sweet flavor, which is why it is called a "sweet" potato. The sweetness comes from the natural sugars present in the vegetable, giving it a slightly sweet taste. However, the level of sweetness can vary depending on the variety of sweet potato and how it is prepared. Overall, most people would describe the taste of a sweet potato as sweet rather than neutral.
Similar search terms for Sweet:
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Sweet Soul Music
Available in this new hardback edition for the first time in decades, Sweet Soul Music was hailed by Newsweek on publication as 'a stunning chronicle.... a panoramic survey of a lost world [and] one of the best books ever written on American popular music'. Since then it has acquired the status of a classic.Pitchfork included it among its '50 Favourite Music Books of All Time,' the Daily Beast placed it on their 'Essential Civil Rights Reading List,' David Bowie named it one of his '100 Must-Read books', while noted author Ta Nehisi Coates, whose work chronicles the contemporary racial divide, called it 'one of the ten books I couldn't live without.'A gripping narrative that captures the tumult and sweep of a music that will forever be linked to the Civil Rights Movement which inspired it, (think of Sam Cooke's 'A Change Is Gonna Come') Sweet Soul Music provides intimate portraits of performers like Cooke, Ray Charles, James Brown, Solomon Burke, Aretha Franklin, Otis Redding, and Al Green among others, whose passionate gospel-based music embodied the liberating energy of a nation in transition.Through rare interviews, Peter Guralnick tells the definitive story of the music and the musicians, bringing to it the same empathy and insight that has informed all of his other work. As Roddy Doyle writes in his introduction to this new edition: 'Sweet Soul Music delivers all that we love to read in a great, sprawling novel, and still manages to be richly informative, historically and musically precise; it's a work of high scholarship written by a born storyteller.'
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Love on Camera : A Sweet Romantic Comedy
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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What entertainment media and entertainment electronics are available?
There is a wide range of entertainment media and electronics available, including streaming services like Netflix, Hulu, and Amazon Prime for watching movies and TV shows. Additionally, there are gaming consoles such as PlayStation, Xbox, and Nintendo Switch for playing video games. Other entertainment electronics include smart TVs, sound systems, and virtual reality headsets for an immersive experience. Furthermore, there are also e-readers and audiobook services for those who enjoy reading and listening to books.
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Sweet or hot?
It ultimately depends on personal preference and the dish being prepared. Some people prefer sweet flavors, while others enjoy spicy or hot flavors. Both sweet and hot elements can add depth and complexity to a dish, so it's often a matter of balancing flavors to create a harmonious taste profile.
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Sweet or salty?
It really depends on my mood, but if I had to choose, I would say sweet. I have a bit of a sweet tooth and enjoy indulging in desserts like cakes, cookies, and ice cream. However, I also appreciate the savory satisfaction of salty snacks like chips or popcorn. Ultimately, I enjoy a balance of both sweet and salty flavors in my diet.
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'Sweet or ugly?'
Beauty is subjective and can vary from person to person. Some may find sweetness to be beautiful, while others may find it unattractive. Ultimately, it depends on individual preferences and perspectives.
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