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  • Media Futures : Theory and Aesthetics
    Media Futures : Theory and Aesthetics

    This book deals with the connection between media and the future.It is about the imagination of futuristic media and what this says about the present, but it also shows how media are imagined as means to control the future.The book begins by describing different theories of the evolution of media and by exploring how this evolution is tied to expectations regarding the future.The authors discuss the theories of imagination and how the imagination of media futures operates.To do so, they analyse four concrete examples: the imaginations once related to interactive television and how they were performed in an important piece of media art; those on “ubiquitous computing,” which remain present today; those on three-dimensional, especially holographic, displays that are prevalent everywhere in cinema, and lastly the contemporary imaginations on quantum computing and how they have been enacted in science fiction.The book appeals to readers interested in the question of how our present imagines its technological futures.

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  • Aesthetics of Pop Music
    Aesthetics of Pop Music

    In this short book, the leading German cultural critic Diedrich Diederichsen puts forward a fresh and original account of pop music.He argues that pop music is not so much a form of music as a constellation of different media channels, social spaces and behavioural systems, of which music is only a part.Its own logic of attraction is based less on compositions and the expression of subjectivity and more on indexicality, real or pseudo-involuntary effects as recorded by sound technologies, and on studio discipline and staging, and hence on performance. By elaborating his innovative account of pop music as a constellation, Diederichsen develops a theory that distinguishes itself from sociology, cultural studies, media studies and ethnography, while at the same time drawing on and encompassing them all.

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  • Aesthetics of Pop Music
    Aesthetics of Pop Music

    In this short book, the leading German cultural critic Diedrich Diederichsen puts forward a fresh and original account of pop music.He argues that pop music is not so much a form of music as a constellation of different media channels, social spaces and behavioural systems, of which music is only a part.Its own logic of attraction is based less on compositions and the expression of subjectivity and more on indexicality, real or pseudo-involuntary effects as recorded by sound technologies, and on studio discipline and staging, and hence on performance. By elaborating his innovative account of pop music as a constellation, Diederichsen develops a theory that distinguishes itself from sociology, cultural studies, media studies and ethnography, while at the same time drawing on and encompassing them all.

    Price: 9.99 £ | Shipping*: 3.99 £
  • The Aesthetics of Music
    The Aesthetics of Music

    Now available in paperback, this is perhaps the first comprehensive account of the nature and significance of music from the perspective of modern philosophy, and the only treatment of the subject which is properly illustrated with music examples.The book starts from the metaphysics of sound, distinguishes sound from tone, analyses rhythm, melody, and harmony, and develops a novel account of music, as the intentional object of an imaginative perception.The argument explores the various dimensions of musical organization and musical meaning, and shows exactly how and why music is an expressive medium.The Aesthetics of Music explains and criticizes many fashionable theories in the philosophy and theory of music, and mounts a case for the moral significance of music, its place in our culture, and the need for taste and discrimination in both performer and listener.The various schools of musical analysis are subjected to a critical examination, and recent criticism of tonality, as the foundation of musical order, are rehearsed and rejected.Scruton defends the objectivity of aesthetic values, lays down principles of criticism, and ends with an energetic critique of modern popular music.

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  • What is aesthetics?

    Aesthetics is a branch of philosophy that deals with the nature of beauty, art, and taste. It explores the concepts of perception, emotion, and judgment in relation to art and beauty. Aesthetics seeks to understand what makes something visually or audibly pleasing and how we interpret and appreciate different forms of art and design. It also examines the role of aesthetics in shaping our experiences and understanding of the world around us.

  • What kind of aesthetics?

    The term "aesthetics" refers to the principles and philosophy of beauty, art, and taste. It encompasses the study of sensory experiences, emotions, and perceptions related to art and design. Different cultures and individuals may have varying aesthetics preferences, ranging from minimalist and modern to ornate and traditional. Ultimately, aesthetics is subjective and can vary greatly depending on personal preferences and cultural influences.

  • How does aesthetics develop?

    Aesthetics develops through a combination of cultural, historical, and individual influences. It is shaped by the artistic and creative expressions of different societies and time periods, as well as by the personal experiences and perspectives of individuals. Aesthetics also evolves through the exploration and reinterpretation of existing artistic traditions, as well as through the introduction of new ideas and technologies. Overall, aesthetics is a dynamic and ongoing process that is continually shaped by the interactions between people, cultures, and artistic expressions.

  • What is imitation aesthetics?

    Imitation aesthetics refers to the artistic practice of replicating or mimicking the style, techniques, or themes of another artist or artistic movement. It involves creating works that closely resemble existing artworks or styles, often as a form of homage, parody, or commentary. Imitation aesthetics can be used to explore ideas of originality, authorship, and artistic influence, blurring the lines between copying and creativity. Artists may engage in imitation aesthetics to pay tribute to their predecessors, challenge traditional notions of artistic authenticity, or subvert established conventions in art.

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  • Video Conferencing : Practices, Politics, Aesthetics
    Video Conferencing : Practices, Politics, Aesthetics

    The COVID-19 pandemic has reorganized existing methods of exchange, turning comparatively marginal technologies into the new normal.Multipoint videoconferencing in particular has become a favored means for web-based forms of remote communication and collaboration without physical copresence.Taking the recent mainstreaming of videoconferencing as its point of departure, this anthology examines the complex mediality of this new form of social interaction.Connecting theoretical reflection with material case studies, the contributors question practices, politics and aesthetics of videoconferencing and the specific meanings it acquires in different historical, cultural and social contexts.

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  • Aesthetics of Music : Musicological Perspectives
    Aesthetics of Music : Musicological Perspectives

    Aesthetics of Music: Musicological Approaches is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible.Each essay includes musical examples from works in the 18th, 19th, and into the 20th century.Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those that have been somewhat neglected, to create a collection that covers a distinctive range of ideas.All essays cover historical origins, sources, and developments of the chosen idea, survey important musicological approaches, and offer new critical angles or musical case studies in interpretation.

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  • The Media Swirl : Politics, Audiovisuality, and Aesthetics
    The Media Swirl : Politics, Audiovisuality, and Aesthetics

    From fan-generated content on TikTok to music videos, the contemporary media landscape is becoming ever more vast, spectacular, and intense.In The Media Swirl Carol Vernallis examines short-form audiovisual media—Beyoncé’s Lemonade, brief sequences from Baz Luhrmann’s The Great Gatsby, TikTok challenges, YouTube mashups, commercials, and many other examples—to offer ways of understanding digital media.She analyzes music videos by Beyoncé, Lady Gaga, Janelle Monáe, Kendrick Lamar, Anderson .Paak, and others to outline how sound and image enhance each other and shape a viewer’s mood.Responding to today’s political-media landscape through discussions of Fox News and Presidential inaugurations, Vernallis shows how a media literacy that exceeds newscasts and campaign advertising is central to engaging with the democratic commons.Forays into industry studies, neuroscience, and ethics also inform her readings.By creating our own content and knowing what corporations, the wealthy, and the government do through media, Vernallis contends, we can create a more just world.

    Price: 103.00 £ | Shipping*: 0.00 £
  • The Media Swirl : Politics, Audiovisuality, and Aesthetics
    The Media Swirl : Politics, Audiovisuality, and Aesthetics

    From fan-generated content on TikTok to music videos, the contemporary media landscape is becoming ever more vast, spectacular, and intense.In The Media Swirl Carol Vernallis examines short-form audiovisual media—Beyoncé’s Lemonade, brief sequences from Baz Luhrmann’s The Great Gatsby, TikTok challenges, YouTube mashups, commercials, and many other examples—to offer ways of understanding digital media.She analyzes music videos by Beyoncé, Lady Gaga, Janelle Monáe, Kendrick Lamar, Anderson .Paak, and others to outline how sound and image enhance each other and shape a viewer’s mood.Responding to today’s political-media landscape through discussions of Fox News and Presidential inaugurations, Vernallis shows how a media literacy that exceeds newscasts and campaign advertising is central to engaging with the democratic commons.Forays into industry studies, neuroscience, and ethics also inform her readings.By creating our own content and knowing what corporations, the wealthy, and the government do through media, Vernallis contends, we can create a more just world.

    Price: 27.99 £ | Shipping*: 0.00 £
  • What is room aesthetics?

    Room aesthetics refer to the overall look and feel of a room, including its visual appeal, style, and atmosphere. This includes elements such as color scheme, furniture arrangement, lighting, and decor choices that work together to create a cohesive and pleasing environment. Room aesthetics play a crucial role in setting the mood and ambiance of a space, influencing how comfortable and inviting it feels to those who inhabit it. Ultimately, room aesthetics are about creating a space that reflects the personality and preferences of the occupants while also being functional and visually appealing.

  • Which aesthetics is this?

    The aesthetics described in the text is minimalism. This aesthetic focuses on simplicity, clean lines, and a sense of openness. It often involves using a limited color palette, uncluttered spaces, and a focus on functionality. Minimalism aims to create a sense of calm and tranquility through the use of minimal elements.

  • What is Schiller's aesthetics?

    Schiller's aesthetics, as outlined in his work "Letters on the Aesthetic Education of Man," emphasize the importance of beauty and art in human development. He believed that through the experience of beauty, individuals could achieve a harmonious balance between their rational and sensual natures. Schiller argued that art has the power to elevate the human spirit and promote freedom, allowing individuals to transcend their limitations and connect with a higher reality. Overall, Schiller's aesthetics focus on the transformative and liberating potential of art in shaping human consciousness and society.

  • What are the different aesthetics?

    There are many different aesthetics, each with its own unique characteristics and style. Some common aesthetics include minimalism, which focuses on simplicity and clean lines; vintage, which incorporates elements from past eras; bohemian, which embraces a free-spirited and eclectic look; and industrial, which features raw and unfinished materials. Other aesthetics include modern, traditional, rustic, and coastal, each with its own distinct design elements and influences. Overall, aesthetics play a significant role in shaping the visual appeal and atmosphere of a space.

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