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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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What is a digital control?
A digital control is a system that uses digital technology to regulate and manage the operation of a device or process. This can include using digital signals to control the behavior of a system, such as turning on or off a motor, adjusting the temperature of a heating system, or regulating the speed of a conveyor belt. Digital controls often use microprocessors or programmable logic controllers to process input signals and execute control algorithms, providing precise and reliable control over a wide range of industrial and commercial applications.
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How can we control children's media usage?
To control children's media usage, parents can set clear rules and limits on screen time, such as designating specific times of day when screens are allowed and enforcing consequences for exceeding these limits. It's also important for parents to model healthy media habits themselves and engage in alternative activities with their children, such as outdoor play or reading. Using parental controls and monitoring software can help restrict access to inappropriate content and track usage patterns. Regularly discussing the importance of balance and moderation in media consumption with children can also help them understand the reasons behind the rules.
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Would you control your children's social media?
As a parent, I believe it's important to guide and monitor our children's social media usage rather than control it. It's essential to have open and honest conversations with our children about the potential risks and responsibilities of using social media. By setting clear guidelines and boundaries, and teaching them how to use social media responsibly, we can help them develop good digital citizenship skills. Ultimately, our goal should be to empower our children to make informed decisions and navigate the online world safely and responsibly.
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Are the switches operated analog despite digital control?
No, switches that are operated digitally are controlled by digital signals, not analog signals. Digital switches use binary code to determine their on/off state, while analog switches operate based on continuous voltage levels. Therefore, switches operated digitally are not analog in nature.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving.This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations.This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions.The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers.Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.
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(Remote ONLY)G9N9N Replacement Voice Remote Control for Google Chromecast 4k Snow Streaming Media
(Remote ONLY)G9N9N Replacement Voice Remote Control for Google Chromecast 4k Snow Streaming Media
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(Remote ONLY)G9N9N Replacement Voice Remote Control for Google Chromecast 4k Snow Streaming Media
(Remote ONLY)G9N9N Replacement Voice Remote Control for Google Chromecast 4k Snow Streaming Media
Price: 3.89 € | Shipping*: 1.99 €
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"Are the switches operated analogically despite digital control?"
No, switches operated in digital control systems are not analogical. Digital control systems use binary signals (0s and 1s) to operate switches, meaning that the switches are either fully on or fully off. This is in contrast to analog control systems, where switches can operate in a continuous range of values. Therefore, in digital control systems, the switches are operated digitally rather than analogically.
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How can I control music on the iPhone in the Control Center?
To control music on the iPhone in the Control Center, swipe down from the top right corner of the screen to open the Control Center. From there, you can see the music player widget which displays the currently playing song. You can pause/play, skip tracks, adjust volume, and even select different audio output options directly from the Control Center. Simply tap on the music player widget to expand it and access these controls.
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Are there apps that can control digital satellite receivers?
Yes, there are apps available that can control digital satellite receivers. These apps allow users to remotely control their satellite receivers using their smartphones or tablets. Users can change channels, adjust volume, set recordings, and access program guides through these apps. Some popular examples of these apps include the DISH Anywhere app for DISH Network subscribers and the DIRECTV app for DIRECTV customers.
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Can you control two motors with a digital decoder?
Yes, you can control two motors with a digital decoder. A digital decoder is a device that takes digital signals and converts them into specific outputs, such as controlling the speed and direction of motors. By using a digital decoder with multiple outputs, you can independently control two motors by sending the appropriate digital signals to the decoder. This allows for precise and synchronized control of both motors in various applications such as robotics, automation, and model trains.
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