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Largo Winch Vol. 20: The Golden Percentile
The last time we saw our friend Largo, he was orbiting our world in the company of one of his business rivals, having narrowly escaped death by asphyxiation.Who sabotaged their shuttle launch? Could it be the rival himself, Jarod Munskind? Or his wife Demetria, still on Earth? Perhaps the mysterious employers of a group of assassins currently plying their deadly trade around the edges of the W Group?The explosive conclusion to Largo's latest adventure.
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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Which percentile is considered above average?
The 50th percentile is considered average, so any percentile above 50 is considered above average. This means that percentiles such as 60th, 70th, 80th, 90th, and 95th are all considered above average. Percentiles below 50, such as the 25th or 10th percentile, are considered below average.
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What BMI percentile is the most ideal?
The most ideal BMI percentile varies depending on age and gender. For children and teenagers, a BMI percentile between the 5th and 85th is considered healthy. For adults, a BMI between 18.5 and 24.9 is generally considered ideal. However, it's important to remember that BMI is just one measure of health and doesn't account for factors such as muscle mass and body composition. It's best to consult with a healthcare professional to determine the most ideal BMI percentile for an individual.
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As which percentile is considered above average?
The 50th percentile is considered average, so any percentile above 50 is considered above average. For example, the 75th percentile indicates that the individual's score is higher than 75% of the population, making it above average. Percentiles below 50, such as the 25th percentile, would be considered below average.
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Am I in the 5th percentile or the 95th percentile if my grades are among the top 5?
If your grades are among the top 5, then you are in the 95th percentile. This means that 95% of the population has grades lower than yours. Being in the 95th percentile indicates that you are performing exceptionally well compared to your peers.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving.This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations.This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions.The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers.Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.
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Online SEO & Digital Media Marketing Diploma Course
Learn the basics of marketing with the Online SEO and Digital Media Marketing Diploma Course Includes modules on email marketing, SEO and social media (including Facebook and Twitter) Teaches you all you need to excel in the world of online marketing as a professional or beginner Focus on data analytics, SEO keywords, website monetisation and plugin installation Taught through video tutorials, online materials, recommended reading and assessments Includes 35 hours of guided learning hours made up of real-time contact and guidance Get a professional qualification endorsed by TQUK and Ofqual Awarding Organisation Accredited by CPD and awards 40 CPD points upon completion See Full Details for product specifications Save on the Online SEO and Digital Media Marketing Diploma Course - now only 7.99 pounds
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How do you determine the 95th percentile in statistics?
To determine the 95th percentile in statistics, you first need to arrange the data in ascending order. Then, calculate the rank of the 95th percentile using the formula (95/100) * n, where n is the total number of data points. If the rank is a whole number, the 95th percentile is the average of the data values at that rank and the next rank. If the rank is not a whole number, round up to the nearest whole number to find the position of the 95th percentile in the ordered data set.
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How can I find out my percentile rank in IQ?
To find out your percentile rank in IQ, you can take an IQ test administered by a licensed psychologist or a qualified professional. After taking the test, your score will be compared to the scores of others in the same age group to determine your percentile rank. For example, if your IQ score is in the 90th percentile, it means that you scored higher than 90% of the people in your age group. Keep in mind that IQ tests should be taken with caution and are just one measure of intelligence.
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Why is the 25th percentile targeted as the goal weight for an eating disorder, even though the person actually has a 10th percentile normal weight?
The 25th percentile is often targeted as the goal weight for individuals with eating disorders because it represents a healthy weight that is achievable and sustainable for the individual. While the person may currently have a 10th percentile normal weight, aiming for the 25th percentile can help them reach a weight that is within a healthy range for their body. This goal weight also allows for a buffer to prevent the individual from slipping back into an underweight category, while still promoting a healthy relationship with food and body image.
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How is the percentile rank calculated in an IQ test by a psychologist?
The percentile rank in an IQ test is calculated by comparing an individual's score to the scores of a representative sample of the population. The psychologist uses the individual's raw score and compares it to the scores of others in the same age group to determine the percentile rank. For example, if an individual scores in the 75th percentile, it means that their score is higher than 75% of the population in their age group. This helps to provide a standardized measure of an individual's cognitive abilities in comparison to their peers.
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