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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Which video game features a blonde boy?
The video game featuring a blonde boy is "The Legend of Zelda: Breath of the Wild." The main character, Link, is depicted as a blonde boy in this action-adventure game. Throughout the game, players control Link as he explores the vast open world of Hyrule, battles enemies, and solves puzzles to save Princess Zelda and defeat the evil Calamity Ganon.
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How can you dye dark blonde or medium blonde hair platinum blonde?
To dye dark blonde or medium blonde hair platinum blonde, you will need to use a high-lift blonde hair dye or bleach to lighten the hair to a very pale yellow or white shade. It is important to use a high-quality bleach and developer to avoid damaging the hair. After lightening the hair, you can then use a platinum blonde hair dye to achieve the desired shade. It is recommended to seek the help of a professional hair colorist to ensure the process is done safely and effectively. Additionally, using a purple shampoo and conditioner can help maintain the platinum blonde color and prevent brassiness.
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What is the difference between ash blonde, light blonde, and platinum blonde?
Ash blonde is a cooler, ashy-toned blonde with hints of gray or silver. Light blonde is a more neutral, natural-looking blonde that is not too warm or cool. Platinum blonde is a very light, icy blonde with almost no hints of warmth, often bordering on white. The main difference between these shades is the tone and level of lightness, with ash blonde being cooler, light blonde being more neutral, and platinum blonde being the lightest and coolest of the three.
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How can one transition from dark blonde to light blonde/ash blonde?
To transition from dark blonde to light blonde/ash blonde, it's best to visit a professional hair colorist. They can assess your current hair color and determine the best approach to achieve your desired shade. This may involve a combination of techniques such as highlights, balayage, or a full color treatment. It's important to be patient and understand that achieving a lighter blonde shade may take multiple sessions to avoid damaging your hair. Additionally, using a purple shampoo and conditioner can help maintain the ash blonde tone and keep your hair looking fresh between salon visits.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Blonde On Blonde
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Blonde On Blonde
Released in June 1966, 'Blonde on Blonde' is the seventh studio album by the American singer/songwriter. Features the singles 'One of Us Must Know (Sooner or Later)', 'Rainy Day Woman #12 & 35', 'Pledging My Time', 'I Want You', 'Just Like a Woman', 'Obviously 5 Believers', 'Leopard-Skin Pill-Box Hat' and 'Most Likely You Go You Way and I'll Go Mine'.
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Blonde On Blonde
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Do blonde people have blonde armpit hair?
Yes, blonde people can have blonde armpit hair. Hair color is determined by genetics, so individuals with blonde hair may also have blonde armpit hair. However, the color of armpit hair can vary among individuals, even within the same hair color group.
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Do blonde men have blonde pubic hair?
Hair color can vary between different parts of the body, so it is possible for a blonde man to have blonde pubic hair. However, it is also common for pubic hair to be a different color or shade than the hair on the head. Ultimately, the color of pubic hair can vary greatly from person to person, regardless of their hair color elsewhere on their body.
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Do blonde people have blonde pubic hair?
The color of a person's pubic hair is not always the same as the hair on their head. While some blonde individuals may have blonde pubic hair, it is not a guarantee. Pubic hair color can vary and may be different from the hair on the head due to genetic factors and hormonal influences. Therefore, it is not accurate to assume that all blonde people have blonde pubic hair.
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Is a man with blonde hair a blonde?
Yes, a man with blonde hair can be referred to as a blonde. The term "blonde" can be used to describe both males and females with light-colored hair. So, a man with blonde hair can be accurately described as a blonde.
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