Products related to Distinctiveness:
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Attending to the Literary : The Distinctiveness of Literature
Attending to the Literary: The Distinctiveness of Literature is a foray into current debates about the nature of the literary.What is literary? Is literarity a thing? Are there still aesthetic standards of taste? Is the category of literary aesthetics an obstacle to understanding the uses of literature?What does it mean to count the reading of literature as an experience in its own right?What would be the deficits to human experience without literature?Attending to the Literary addresses all of these questions with a view to challenging the notion of literarity as merely representative of experience.On the contrary, Alan Singer shows how literarity is an enacting of experience.Through close readings of an eclectic repertoire of literary sentences – culled from the genres of fiction, poetry, and drama – Singer demonstrates how syntax stages human capacities for attending ever more consequentially to the world of practical experience.These stagings of forms of attention involve readers in the drama of reason-giving and expand the possibilities of rational imagination. Attending to the Literary speaks to a broad audience of readers for whom the question "Does literature matter?" remains an urgent intellectual challenge.
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The “Russian Idea” in International Relations : Civilization and National Distinctiveness
The "Russian Idea" in International Relations identifies different approaches within Russian Civilizational tradition — Russia’s nationally distinctive way of thinking — by situating them within IR literature and connecting them to practices of the country’s international relations. Civilizational ideas in IR theory express states’ cultural identification and stress religious traditions, social customs, and economic and political values.This book defines Russian civilizational ideas by two criteria: the values they stress and their global ambitions.The author identifies leading voices among those positioning Russia as an exceptional and globally significant system of values and traces their arguments across several centuries of the country’s development.In addition, the author explains how and why Russian civilizational ideas rise, fall, and are replaced by alternative ideas.The book identifies three schools of Russian civilizational thinking about international relations – Slavophiles, Communists, and Eurasianists.Each school focuses on Russia’s distinctive spiritual, social, and geographic roots, respectively.Each one is internally divided between those claiming Russia’s exceptionalism, potentially resulting in regional autarchy or imperial expansion, and those advocating the Russian Idea as global in its appeal.Those favoring the latter perspective have stressed Russia’s unique capacity for understanding different cultures and guarding the world against extremes of nationalism and hegemony in international relations. This book will be of interest to students and scholars of Russian foreign policy, Russia–Western relations, IR theory, diplomatic studies, political science, and European history, including the history of ideas.
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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Remaking the World : European Distinctiveness and the Transformation of Politics, Culture, and the Economy
How should we understand Europe's special role in world history, and the enduring impact it made on the rest of the globe?Jerrold Seigel traces both the positive and negative sides of the continent's special role to its absence of effective central authority, the division and competition between its states and peoples, and its propensity for developing autonomous spheres of activity.Remaking the World analyzes how these features fostered Europe's characteristic preoccupation with a politics of liberty, its evolution of an aesthetic sphere animated by values specific to itself, its singular capacity to revolutionize scientific understanding, and its ability to prepare and carry out the first transition to a modern industrial economy.Extended and substantive comparisons with Africa, India, China, and the lands that came under the rule of the Ottomans demonstrate the absence of similar phenomena elsewhere, whereas in Europe they also helped generate the malign force of imperial expansion.
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What entertainment media and entertainment electronics are available?
There is a wide range of entertainment media and electronics available, including streaming services like Netflix, Hulu, and Amazon Prime for watching movies and TV shows. Additionally, there are gaming consoles such as PlayStation, Xbox, and Nintendo Switch for playing video games. Other entertainment electronics include smart TVs, sound systems, and virtual reality headsets for an immersive experience. Furthermore, there are also e-readers and audiobook services for those who enjoy reading and listening to books.
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Does the double-aspect theory contradict the interaction thesis? However, does it agree with the distinctiveness thesis and the closedness thesis?
The double-aspect theory does not necessarily contradict the interaction thesis, as it allows for the idea that mental and physical aspects of reality interact with each other. However, it does agree with the distinctiveness thesis, as it posits that mental and physical aspects are distinct but interconnected. It also aligns with the closedness thesis, as it suggests that mental and physical aspects are closed systems that cannot be reduced to each other.
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Is Baroque music serious music or entertainment music?
Baroque music can be seen as both serious music and entertainment music. On one hand, it was often composed for religious or ceremonial purposes, and its intricate compositions and use of counterpoint demonstrate a high level of musical sophistication. On the other hand, Baroque music was also performed in social settings and was meant to entertain and delight audiences. Its lively rhythms and expressive melodies were often used for dancing and other forms of entertainment. Therefore, Baroque music can be appreciated for its serious artistic qualities as well as its ability to provide enjoyment and entertainment.
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Is a 16 Mbit line sufficient for online gaming/streaming?
A 16 Mbit line may be sufficient for online gaming and streaming, but it may not provide the best experience, especially if multiple devices are using the internet at the same time. Online gaming and streaming typically require a stable and fast internet connection to minimize lag and buffering. For a smoother experience, a higher bandwidth such as 25-50 Mbit may be more suitable, especially for high-definition streaming and competitive gaming. Additionally, factors such as network congestion and latency can also impact the overall performance of online gaming and streaming.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Which PC is best suited for gaming, streaming, and video editing?
A high-performance PC with a powerful processor (such as an Intel Core i9 or AMD Ryzen 9), a dedicated graphics card (like an NVIDIA GeForce RTX 3080 or AMD Radeon RX 6800 XT), ample RAM (at least 16GB), and fast storage (SSD) would be best suited for gaming, streaming, and video editing. These components will ensure smooth gameplay, seamless streaming, and fast video rendering capabilities. Additionally, a good cooling system and high-quality monitor are also important for an optimal experience.
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Which PC laptop is good for video editing, gaming, and streaming?
A good PC laptop for video editing, gaming, and streaming would be the ASUS ROG Zephyrus G14. It features a powerful AMD Ryzen 9 processor and NVIDIA GeForce RTX 2060 graphics card, making it capable of handling demanding video editing software and high-end gaming. Additionally, its compact and lightweight design makes it convenient for streaming on the go. The laptop also has a high-quality display and good cooling system, ensuring a smooth and immersive experience for all three activities.
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What would be good PC parts for gaming, streaming, and video editing?
For gaming, streaming, and video editing, it's important to have a powerful CPU such as an Intel Core i7 or AMD Ryzen 7 for multitasking and processing heavy workloads. A high-end graphics card like an NVIDIA GeForce RTX 3070 or AMD Radeon RX 6700 XT would be ideal for smooth gaming and video rendering. Additionally, at least 16GB of RAM (preferably 32GB) and a fast SSD for storage are essential for quick data access and smooth performance. Lastly, a reliable power supply and a good cooling system are important to ensure stability and longevity of the system during intense usage.
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Do digital media harm education?
Digital media can have both positive and negative impacts on education. While digital media can provide access to a wealth of information and resources, it can also be a distraction for students and lead to decreased attention spans. Additionally, the constant use of digital media can contribute to a sedentary lifestyle and have negative effects on physical and mental health. It is important for educators and students to find a balance in using digital media for educational purposes while also being mindful of its potential drawbacks.
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