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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Music for Dogs
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Music for Dogs
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Media Law : A Practical Guide for the Media and Entertainment Industries
Digital Media Law offers a practical guide to the law of media and communication, focusing on digital channels, models, and technologies.It draws together the aspects of media law that are most critical for those engaged in the production and distribution of digital media, from traditional broadcasters and internet-based services to major internet platforms. As an expert scholar and educator in media law, Christopher S.Reed brings considerable experience as an in-house lawyer for a U.S.-based media company with extensive news, sports, and entertainment operations.This blend of practical and scholarly insight delivers a textbook which packs foundational principles and concepts into the context of the digital environment, focusing on how those doctrines are applied in the face of rapidly evolving newsgathering, production, and distribution technologies.Key features include:"In the News" sections that tie the legal principles to real-world events or situationsAn integrated fictional case study of a media enterpriseInsights into digital media policyThis accessible textbook is the ideal companion for advanced undergraduate and graduate students as well as practitioners interested in law, journalism, and media studies.
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What courses are available for dogs for entertainment?
There are various courses available for dogs for entertainment, such as agility training, flyball, scent work, and trick training. These courses are designed to provide mental and physical stimulation for dogs while also strengthening the bond between the dog and their owner. Additionally, there are courses specifically tailored for puppies to help them socialize and learn basic obedience skills in a fun and engaging way. These courses can be a great way to keep dogs entertained and active while also providing them with valuable skills and enrichment.
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Do dogs like music?
Some dogs do enjoy music, while others may not show much interest. Research has shown that dogs can have different reactions to music depending on the genre and tempo. Classical music and reggae have been found to have a calming effect on dogs, while heavy metal and some pop music may cause anxiety. Ultimately, each dog is unique, so it's important to pay attention to their individual reactions to music.
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Do dogs understand music?
Dogs can perceive and respond to music, but their understanding of it is different from humans. Research has shown that dogs can have physiological and behavioral responses to music, such as changes in heart rate and activity level. However, their perception of music is likely different from humans, and they may not understand it in the same way. Dogs may simply enjoy the sound of music and the positive emotions it can evoke in their owners.
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Do dogs like guitar music?
Some dogs may enjoy listening to guitar music, while others may not show much interest. Dogs have different preferences when it comes to music, just like humans do. It's important to pay attention to your dog's behavior and body language to see if they seem relaxed or engaged when guitar music is playing. Ultimately, individual dogs may have varying reactions to guitar music.
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How do dogs perceive music?
Dogs perceive music differently than humans do. While humans may find certain melodies and rhythms pleasing, dogs may not have the same emotional response to music. Research suggests that dogs may be more sensitive to the pitch, tone, and volume of music, and may react to certain sounds based on their frequency and intensity. Some studies have shown that classical music and certain types of reggae can have a calming effect on dogs, while heavy metal and certain types of pop music may cause them to become agitated. Overall, dogs may not perceive music in the same way that humans do, but certain types of music can still have an impact on their behavior and mood.
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How do dogs react to music?
Dogs can react to music in different ways depending on the type of music and their individual personality. Some dogs may be calm and relaxed when listening to classical music, while others may become more alert and excited when hearing upbeat or high-pitched sounds. Research has shown that dogs can have a calming response to certain types of music, and it may even help reduce their stress levels. Overall, the reaction to music can vary from dog to dog, but it is generally believed that music can have an impact on their mood and behavior.
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Is loud music harmful for dogs?
Yes, loud music can be harmful for dogs. Dogs have sensitive hearing and loud music can cause stress, anxiety, and even physical discomfort for them. Prolonged exposure to loud music can also lead to hearing damage in dogs. It's important to be mindful of the volume of music around dogs and to provide them with a quiet and peaceful environment to ensure their well-being.
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How are dogs in GTA Online?
In GTA Online, dogs are not directly playable characters or companions. However, they can be seen in the game world as part of the environment, such as being walked by NPCs or appearing in certain missions. While players cannot interact with the dogs in a meaningful way, their presence adds to the realism and immersion of the game world. Overall, dogs in GTA Online serve as background elements rather than active participants in gameplay.
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