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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Electronic Keyboard 61 Keys Black Digital Music Electronic Keyboard KeyBoard Electric Piano Kids
Electronic Keyboard 61 Keys Black Digital Music Electronic Keyboard KeyBoard Electric Piano Kids
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Electronic Keyboard 61 Keys Black Digital Music Electronic Keyboard KeyBoard Electric Piano Kids
Electronic Keyboard 61 Keys Black Digital Music Electronic Keyboard KeyBoard Electric Piano Kids
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Electronic Music Improvisations
'Electronic Music Improvisations Volume 1' is a collection of eight improvised modular pieces recorded in various studio spaces across London in the spring and summer of 2019 by Sunroof, aka Daniel Miller, the founder and chairman of Mute and Gareth Jones, a producer and engineer, notable for working with Depeche Mode, Einstürzende Neubauten, Erasure and Yann Tiersen.
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What is electronic music?
Electronic music is a genre of music that is created using electronic devices and technology, such as synthesizers, drum machines, and computers. It often features repetitive beats, synthesized sounds, and digital effects. Electronic music can encompass a wide range of styles, including techno, house, dubstep, and ambient, and has been a significant influence on popular music since the 20th century. It is known for its innovative and experimental approach to sound production and has become a prominent genre in contemporary music.
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Is electronic dance music not music?
Electronic dance music (EDM) is indeed music. It is a genre of music that is created using electronic instruments, synthesizers, and computer software. It is characterized by its repetitive beats, synthesized sounds, and often features a strong emphasis on rhythm and bass. While some may argue that EDM is not "traditional" music because it doesn't rely on traditional instruments, it is still a valid form of musical expression that has a wide and dedicated fanbase. Ultimately, music is a subjective experience, and what one person may not consider music, another person may find deeply meaningful and enjoyable.
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What is the difference between digital and electronic?
The main difference between digital and electronic is that digital refers to data that is represented in discrete values or digits, typically in binary form (0s and 1s), while electronic refers to devices or systems that operate using electronic circuits or components. In other words, digital is a type of data representation, while electronic is a broader term that encompasses the use of electronic technology in various applications. Digital technology is a subset of electronic technology, as it relies on electronic components to process and transmit data in digital form.
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Do you listen to electronic music?
As an AI, I don't have the ability to listen to music. However, I have knowledge about electronic music and can provide information or recommendations about it. If you have any specific questions or need assistance related to electronic music, feel free to ask!
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Tomorrowland Festival Flag Polyester Digital Printing Electronic Music Banner
Tomorrowland Festival Flag Polyester Digital Printing Electronic Music Banner
Price: 3.72 £ | Shipping*: 2.89 £
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How can one create electronic music?
To create electronic music, one can start by acquiring the necessary equipment such as a computer, digital audio workstation (DAW), MIDI keyboard, and audio interface. Next, they can learn to use the DAW to create and arrange different sounds and beats. Experimenting with synthesizers, drum machines, and samplers can help in creating unique electronic sounds. Additionally, learning about music theory and sound design can also be beneficial in creating electronic music. Finally, practicing and experimenting with different techniques and styles can help in developing one's own unique electronic music.
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"Can electronic music exist without drugs?"
Yes, electronic music can exist without drugs. While drugs have been associated with electronic music culture, the creation and enjoyment of electronic music does not inherently require the use of drugs. Many artists and fans of electronic music engage with the genre without the influence of drugs, and the music itself can be appreciated and enjoyed on its own merits. The association between electronic music and drugs is a cultural phenomenon, but it is not a necessary component for the existence of electronic music.
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Is there electronic music without singing?
Yes, there is electronic music without singing. Electronic music encompasses a wide range of genres and styles, including instrumental electronic music, ambient music, techno, house, and many others that do not feature vocals. In fact, some of the most well-known electronic music artists and producers create entirely instrumental tracks without any singing. These tracks often focus on the use of synthesizers, drum machines, and other electronic instruments to create unique and innovative sounds.
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What is the genre of electronic music?
The genre of electronic music is a broad category that encompasses a wide range of styles and sounds, all of which are created using electronic instruments and technology. This includes subgenres such as techno, house, trance, dubstep, and many others. Electronic music is known for its use of synthesizers, drum machines, and computer software to create unique and innovative sounds. It has been a major influence on popular music and has evolved significantly since its inception in the mid-20th century.
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