Products related to Real:
-
12 Daring Women of the Bible Study Guide plus Streaming Video : Real Women, Real Trials, Real Triumphs
In this twelve-session video Bible study, some of today's best-loved Christian authors and speakers look at the spiritual lessons learned from twelve daring women in the Bible and what they mean for you today. As you look at each of these women’s lives, you will discover how to:Apply biblical lessons to your own modern-day struggles. Live through your failures as well as your successes. Draw near to God in a world filled with trials. Find lasting contentment in every situation. Overcome rejection and insecurity . . . and much more. You’ll study the lives of . . . Shulamite Woman: We Had God at Hello (Lisa Harper) Deborah: Fight Like a Girl (Bianca Juarez Olthoff)Proverbs 31 Woman: How Not to Do It All (Karen Ehman)Ruth: Staying Focused in a World of Distractions (Chrystal Evans Hurst)Puah and Shiphrah: How to Fight Your Fears (Margaret Feinberg)Esther: Letting God Be in Control (Courtney Joseph)Priscilla: Living a Life of Blessed Ordinary (Karen Ehman)Mary and Martha: Finding Life in Death (Bianca Juarez Olthoff)Bent Woman: We've Got God's Complete Attention (Lisa Harper)Woman with the Issue of Blood: When Persistence Pays Off (Chrystal Evans Hurst)Elizabeth: How to Win the Waiting Game (Margaret Feinberg)Anna: How to Live a Life Devoted to God (Courtney Joseph Fallick)This study guide includes:Individual access to twelve streaming video sessionsBackground information on each womanVideo notes and a comprehensive structure for small group discussion timePersonal study and reflection materials for in-between sessionsGroup leader helps Previously published as Twelve More Women of the Bible.
Price: 16.99 £ | Shipping*: 3.99 £ -
Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
Price: 43.99 £ | Shipping*: 0.00 £ -
Real Life in Real Time : Live Streaming Culture
Price: 38.00 £ | Shipping*: 0.00 £ -
Gender Violence, Social Media, and Online Environments : When the Virtual Becomes Real
This book examines contexts, practices, and activism on issues of gender violence at the intersections of online and public spaces.Through individual case studies, the volume considers the interplay between the virtual worlds of online spaces including social media, physical spaces and bodies, and the ways in which offline and online dimensions of experience can serve as motivators for, extensions of, or limitations to each other.Examining both problems and potential solutions, chapters explore the impacts of, and potential resistance to, the intersections of gender violence, social media, and our complex lived environments across national boundaries.Throughout the volume, close attention is paid to the difficult issues highlighted when prior conceptions of basic foundations such as public space, individual rights, and professional responsibility are confronted by new examples that further trouble the boundaries of long-held frameworks of legal, social, professional understanding, and even our comprehension of the "real." Each chapter grapples with a difficult reality related to gender violence, underscores possible ways forward, and highlights limitations, resisting easy answers to complex and persistent questions about rights, personal integrity, and social responsibility. Offering clear insights into a critical issue, this book will be of interest to scholars and students in the areas of media studies, social media, gender and women's studies, sociology and criminology, digital humanities, and politics.
Price: 34.99 £ | Shipping*: 0.00 £
-
Is this digital footprint real?
Without specific context or details, it is difficult to determine if a digital footprint is real. Digital footprints can include a wide range of online activities and information, such as social media posts, online purchases, and website visits. To assess the authenticity of a digital footprint, it would be necessary to examine the specific content and sources involved. Additionally, it is important to consider the potential for misinformation or manipulation of digital footprints in the online environment.
-
Is digital art real art?
Yes, digital art is real art. Just like traditional art forms, digital art requires skill, creativity, and vision to create. Artists use digital tools and software to express their ideas and emotions, and the resulting artwork can be just as impactful and meaningful as any other form of art. The digital medium allows for new possibilities and techniques that can produce stunning and thought-provoking pieces. Ultimately, the value of art lies in its ability to evoke emotions, provoke thoughts, and communicate messages, regardless of the medium used.
-
'Online or real?'
It ultimately depends on the individual's preferences and needs. Online interactions offer convenience and accessibility, making it easier to connect with people from different locations. On the other hand, real-life interactions provide a more personal and authentic experience, allowing for deeper connections and a better understanding of non-verbal cues. Both online and real interactions have their own advantages and disadvantages, and the choice between the two depends on the specific context and the individual's priorities.
-
Are online oracles real?
Online oracles are not real in the traditional sense, as they are typically computer-generated responses based on algorithms and randomization. While they can provide entertainment and guidance for some people, they do not possess any supernatural or mystical powers. It is important to approach online oracles with a critical mindset and not rely on them for making important decisions in life.
Similar search terms for Real:
-
Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
Price: 69.99 £ | Shipping*: 0.00 £ -
Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Price: 91.00 £ | Shipping*: 0.00 £ -
Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Price: 28.95 £ | Shipping*: 0.00 £ -
The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
Price: 140.00 £ | Shipping*: 0.00 £
-
Is this ghost video real?
It is difficult to determine the authenticity of the ghost video without further evidence or context. Many ghost videos are often hoaxes or manipulated to create a spooky effect. It is important to approach such videos with skepticism and consider factors such as lighting, camera quality, and potential editing techniques before drawing any conclusions about their authenticity.
-
Is this crazy video real?
Without specific information about the video in question, it is difficult to determine its authenticity. It is important to critically evaluate the source of the video and consider any potential editing or manipulation that may have occurred. Additionally, seeking out additional information or context from reliable sources can help in determining the veracity of the video.
-
Is the video 1444 real?
There is no concrete evidence to confirm the authenticity of the video 1444. The video has been widely discussed and debated online, with some claiming it to be real and others suggesting it is a hoax. Due to the graphic and disturbing nature of the video, it is important to approach it with caution and skepticism. It is always best to verify the credibility of such content before drawing any conclusions.
-
What is a real video?
A real video is a recording of actual events, people, or places, as opposed to a fictional or staged production. It captures genuine moments and experiences, providing an authentic representation of the subject matter. Real videos are often used in news reporting, documentaries, and personal recordings to convey truth and reality to the audience. They can be powerful tools for sharing information, telling stories, and preserving memories.
* All prices are inclusive of VAT and, if applicable, plus shipping costs. The offer information is based on the details provided by the respective shop and is updated through automated processes. Real-time updates do not occur, so deviations can occur in individual cases.