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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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How can one view the digital service booklet?
The digital service booklet can typically be viewed through the car's infotainment system or through a dedicated app provided by the car manufacturer. In some cases, it may also be accessible through the manufacturer's website. The booklet can contain important information about the car's service history, maintenance schedule, and warranty details, making it a valuable resource for car owners.
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On which pages can one view sensitive content?
Sensitive content can be viewed on pages that are marked as containing mature or explicit material. These pages are typically age-restricted and may require users to confirm their age before accessing the content. Sensitive content can include topics such as violence, nudity, or explicit language, and is often found in movies, TV shows, or websites that cater to adult audiences. It is important for users to be aware of the content they are accessing and to use caution when viewing sensitive material.
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Can the employment office view my application content?
Yes, the employment office typically has access to view the content of your job application. This is necessary for them to review your qualifications and determine if you are a suitable candidate for the position. However, your application content is usually kept confidential within the employment office and is only shared with relevant personnel involved in the hiring process. It's important to be honest and professional in your application to make a good impression on the hiring team.
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How can you view class photos online?
You can view class photos online by accessing your school's website or social media pages. Many schools have a dedicated section on their website for photos and updates from school events, including class photos. You can also check the school's social media pages, such as Facebook or Instagram, where they often post photos from various school activities, including class photos. Additionally, some schools may use online platforms or apps to share class photos with parents and students.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Screens Producing & Media Operations : Advanced Practice for Media Server and Video Content Preparation
Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving.This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations.This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions.The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers.Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.
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3.97inch Video Peephole Doorbell Camera Video-eye Auto Record Electronic Ring Night View Digital
3.97inch Video Peephole Doorbell Camera Video-eye Auto Record Electronic Ring Night View Digital
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3.97inch Video Peephole Doorbell Camera Video-eye Auto Record Electronic Ring Night View Digital
3.97inch Video Peephole Doorbell Camera Video-eye Auto Record Electronic Ring Night View Digital
Price: 21.79 £ | Shipping*: 0 £
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Can I view the complete tender online?
Yes, you can typically view the complete tender online through the organization's official website or through a designated procurement portal. Many organizations make their tender documents available for public viewing in order to promote transparency and encourage competition among potential bidders. You may need to register or create an account on the procurement portal in order to access the complete tender documents.
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Why does everyone view online relationships negatively?
Online relationships are often viewed negatively because they are perceived as lacking the depth and authenticity of in-person relationships. There is a common belief that online relationships are more prone to miscommunication, deception, and lack of genuine connection. Additionally, the anonymity and distance of online interactions can lead to skepticism and doubt about the sincerity and longevity of the relationship. However, it's important to recognize that online relationships can also be meaningful and fulfilling for those involved, and should not be dismissed solely based on the platform through which they occur.
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From when can one view the unlocked content on Patreon?
One can view the unlocked content on Patreon as soon as they become a patron and their payment is processed successfully. Once the payment goes through, patrons gain access to the creator's exclusive content and perks. It is important to note that the timing of when the content is unlocked may vary depending on the creator's settings.
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What is the Islamic view on online relationships?
In Islam, online relationships are generally viewed with caution and are subject to the same guidelines and boundaries as in-person relationships. While it is permissible to communicate with the opposite gender online for necessary and legitimate reasons, there are guidelines to ensure that interactions remain respectful and within the boundaries of Islamic teachings. It is important to maintain modesty, avoid inappropriate conversations, and seek permission from guardians if the relationship is leading towards marriage. Additionally, it is encouraged to prioritize in-person interactions and seek the guidance of elders and religious scholars when navigating online relationships.
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