Products related to Zeus:
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Streaming Music : Practices, Media, Cultures
Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption.The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life.The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways.Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes.Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today.As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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The Arena Concert : Music, Media and Mass Entertainment
The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne.The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space.The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century.This volume finds out why.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Digital Satire in Latin America : Online Video Humor as Hybrid Alternative Media
How creators of online video critique politics and society and amplify public discourse in Latin American countries This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America.Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entertainment while exposing some of the prevalent tensions of the region.Alonso draws on interviews and analyzes media content to consider some of the most representative and influential satirical shows born on the internet and produced in Argentina, Colombia, Ecuador, Peru, Mexico, and Latinx communities in the United States.He discusses YouTubers Chumel Torres, Malena Pichot, Guille Aquino, Joanna Hausmann, and El Cacash; the Enchufe.tv collective; and the video columnists Maria Paulina Baena from La Pulla and Mariángela Urbina from Las Igualadas.These creators use professional and non-mainstream practices and resources to dismantle fake news, highlight social tensions, and offer in-depth content that goes beyond confrontational attacks.In contexts of highly ideological polarization, Alonso argues, digital satire is a unique type of hybrid alternative media that can articulate nonpartisan interpretations of reality while also questioning, deconstructing, and subverting the authoritative role of media.Satiric voices can offer an informed, reflexive, argumentative, or historically rooted perspective that amplifies public discourse and shapes changing notions of journalism and political communication in democratic societies. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Jongara Zeus/Koto's Revenge
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Zeus On The Loose
I am the great and mighty Zeus, mortal- give me one good reason why I shouldn't smite you here and now!'Alex's class are learning about the Ancient Greeks.That's why Alex makes a temple (out of loo rolls and a cornflakes box) for the Greek god Zeus.He doesn't expect the god himself to turn up, borrow his mum's nightie and demand a sacrifice at half-past five in the morning.Even worse, Zeus reckons it's time for another Trojan War - in the school playground!Zeus is on the loose-
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Zeus Sorts it Out
Eric, the school bully, is causing trouble for Alex's best friend Charlie.He's been stealing his crisps and flushing his head down the loo.Alex isn't sure that Zeus, the Greek god, is the best person to ask for help but before he can stop him, Charlie has built a temple (from a piece of crumpled paper) to summon Zeus. The problem is, the hot-headed god has now taken over the boys' loos and wants to smite Eric with a thunderbolt. But that's against the school rules, so how exactly will Zeus teach the bully a lesson?Don't worry...Zeus will sort it out!Another hilarious story from the author of ZEUS ON THE LOOSE and ZEUS TO THE RESCUE.
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Zeus or Aphrodite?
It ultimately depends on personal preference and what qualities one values more. Zeus is known as the king of the gods, associated with power, leadership, and thunder. On the other hand, Aphrodite is the goddess of love, beauty, and desire. Some may prefer Zeus for his strength and authority, while others may choose Aphrodite for her charm and ability to inspire love and passion.
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Which movies feature Zeus?
Zeus, the king of the gods in Greek mythology, has been featured in various movies over the years. Some notable movies that feature Zeus include "Clash of the Titans" (1981), "Hercules" (1997), and "Percy Jackson & the Olympians: The Lightning Thief" (2010). In these films, Zeus is portrayed as a powerful and authoritative figure, often depicted with his iconic lightning bolt. His character is central to the plot, as he plays a key role in the lives of the mortal heroes and the conflicts they face.
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Which hairstyle suits Zeus?
Zeus is often depicted with long, flowing hair and a full beard, which is a common hairstyle for ancient Greek gods. This style reflects his status as a powerful and majestic deity. The long hair and beard also symbolize wisdom and authority, which are characteristics associated with Zeus in Greek mythology. Overall, the traditional long, flowing hair and beard suit Zeus and are often used to portray his divine and regal nature.
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Was Zeus good or evil?
In Greek mythology, Zeus is often portrayed as a complex figure who exhibits both positive and negative qualities. While he is considered the king of the gods and associated with justice, order, and protection, he is also known for his infidelity, vengefulness, and violent behavior. Ultimately, Zeus' actions and motivations vary depending on the myth or story being told, making it difficult to categorize him definitively as either good or evil.
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Who wins, Odin or Zeus?
The outcome of a battle between Odin and Zeus is subjective and can vary depending on the source material or mythological tradition. Both gods are powerful figures in their respective pantheons, with Odin being associated with wisdom, war, and magic in Norse mythology, while Zeus is the king of the gods in Greek mythology. Ultimately, the winner would likely depend on the context of the conflict and the specific abilities or strengths attributed to each deity in a given story.
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Who wins: Chaos or Zeus?
In Greek mythology, Zeus is the king of the gods and the ruler of Mount Olympus. He is known for his power and authority, often depicted as the ultimate victor in battles against other gods and mythical creatures. On the other hand, Chaos is the primordial deity representing the formless void from which everything emerged. While Chaos is a powerful force, Zeus is typically portrayed as the ultimate victor in most mythological stories. Therefore, in the context of Greek mythology, Zeus would likely be the winner in a conflict between Chaos and himself.
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Is Zeus good or evil?
In Greek mythology, Zeus is often portrayed as a complex figure who exhibits both positive and negative traits. While he is considered the king of the gods and associated with justice, order, and protection, he is also known for his infidelity, vengefulness, and violent behavior. Ultimately, whether Zeus is seen as good or evil depends on the specific myth or interpretation being considered.
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Do Zeus, Heracles, etc. exist?
Zeus, Heracles, and other figures from Greek mythology do not exist in the physical sense as historical or living beings. They are mythological characters that were created by ancient civilizations to explain natural phenomena, human behavior, and the world around them. While they do not exist as tangible entities, they continue to exist in the realm of literature, art, and cultural heritage as symbols and representations of various aspects of human experience.
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